In other words, although user centered designers would love to
stage DVORAK X QUERTY as a DAVID X GOLIATH paraphrase on the technological
arena, I see it as a parody, because it assumes and subscribes to a
specific culture in a specific time, within a specific framework, one
of control, instead of empowerment.
Yes, there are people who could benefit from changes, and layout and
form are slowly being adopted by those that become aware or injured by
artifact use (the stones in our shoes). They are forced to, it is part of
the system's ecology. Too bad it is not proactive, but reactive. Who can
afford a U$ 300 keyboard (there are U$ 2 alternatives).
Eva, you wrote:
> force for progress but for keeping things stuck. The QUERTY arrangement has
> no rational explanation, only a historical one.
"has no" or we "haven't found one". Are we looking in the right
places.
and Wertsch:
"This brief comparison of QUERTY and DVORAK keyboards reveals something
about the power that historical context may have in shaping mediational
means.
This power is manifested in the fact that the Querty keyboard, which from
today's perspective is purposefully inefficient, has retained its
dominance even though the original reason for using it has long since
disappeared."
In the former sentence the author have missed an important
springboard to include a discussion of the cultural and situated aspects
of SUSTAINING (instead of shaping) mediational means.
In the latter one, I ask for whom, for which activity, from which
perspective. If the inefficiency was never there in such a degree, in
such a context, how could it disappear?
He refers to the historical context in the former and misses it in
the second. nobody is perfect.
I see that this paragraph is in contradiction with the author's
agenda. But I can't be to nasty in my comments, because the authors
perspective only sustains the literature on the subject, which subscribes
to certain venues in certain academic communities (the dominant one). By
the way, I'm happy to say the author does not support these venues, on the
contrary.
Luiz