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Re: [xmca] The Genetic Belly Button and the Functional Belly



Joseph, if you can say this or something similar in 50-word or less I'd be happy to respond, but otherwise I'll have to leave it to someone with nothing to do.
Andy

Joseph Gilbert wrote:
                                                                1

                     Language Creates Culture

Language functions, in human society, as the generator of culture. By the effects on us of the sounds we utter, we inform ourselves of the effects on us of the things which make up our world. Since the only sense of the meaning of any thing is one and the same as the effect on us of the thing, and since we relate to our world through our words, language informs us of the meanings of things. This informing takes place when we use vocal sounds as words to refer to things.
    We exist in a vacuous condition vis-à-vis any objective knowing 
the ultimate meaning of anything. We do not know the ultimate affect 
on us of anything. If we operated by instinct, our choices would not 
depend on knowing, as our choices do. In this culls context, we are 
informed by the affects on us of the sounds of our words of the 
affects on us of the things to which our words refer.
    In the vacuum of outer space, a ship can be propelled by the 
constant, subtle force of an ion drive. In the outer space of our 
cluelessness as to the meaning of anything, we are informed of that 
meaning by the affect on us of the sounds of our words.
    Spoken language is sound made by the body and used to refer to, to 
signify, things. We must thoroughly understand the basis of language 
in order to understand anything else about language. Why do we use 
certain words to signify certain things? Why are there similarities 
and differences among the various languages in how sound is used to 
refer to things? Is there a correlation between and among emotional 
states and vocal sounds? These and other questions must be answered if 
we are to know how language works.
    We are born into a language-using group and learn the meanings of 
the things that
make up our world simply by learning our group’s language.

We have a distinct and unique reaction to each vocal sound just as we do to each facial expression and postural position. All forms of body language, postural, facial and vocal, are expressions of states of our internal goings-on, are born of those feeling/emotional states. and recreate these states by resonant entrainment.
        The languages we humans speak currently are the results of the 
experiential contributions of our ancestors. However they, (our 
distant relatives), felt about whatever they had words for, we now 
feel again in the present moment, when we utter the words they 
originally uttered. Therefore language functions somewhat as a seed: 
the experience of past peoples was represented in the words they spoke 
and now, when we voice those words, we re-experience what they did.
    Language is institutionalized perception. How we, as a society, 
perceive our world, is
                                                    2

determined by the the affects on us of our vocal sounds, (a form of body language), we use to refer to the things that make it up.
    Our actions are determined by our perceptions. If we want to 
change the way we act we must change the way we perceive our world. 
And we can change how we perceive our world by changing how we refer 
to the things that constitute our world.
    The feelings/emotions of actors on stage and of all of us, are 
communicated by our actions. The way someone moves tells us much about 
how they feel. Our face conveys extensive and subtle information about 
our emotional state. The sounds of our voices carry emotional content. 
And, although we normally are not aware of it, the articulate vocal 
sounds, (the sounds of our vowels and consonants), are loaded with 
information about our emotional goings-on. The information that comes 
from the articulate sounds of our words rather than from the emotional 
overlay we place on them due to our transitory emotional states, is 
the same no matter what moods we may be experiencing while we speak. 
That aspect of information conveyance is 
institutionalized/standardized. The tone of voice, cadence, and volume 
dynamics can be unique to each situation without altering the 
fundamental referential communication.
    One can experience the effect on ourselves of the various vocal 
sounds by, while in a sensitive, receptive mode, saying those sounds 
out loud and sensing their effects. I have done that and have, it 
seems, discovered their meanings. You can do that also. Doing so 
oneself will give one a more complete sense of the effects of vocal 
utterances than one could experience by reading what someone else has 
written about the effects of the vocal sounds on the emotions.
    This covert function of language must be brought to light  in 
order for us to be able to understand the importance of recreating 
culture. We must understand that our behavior, as a society, is 
fundamentally linked to our culture, which is a result of our language.
    
    We do not objectively know the ultimate meaning of anything and 
consequently experience our sense of the meanings of things from the 
effects on us of our words.
                                               
    These familiar phrases suggest a perception, perhaps a mystical 
perception, of the importance of the spoken word.    

    The final word.

    What’s the word?

In the beginning was the word and the word was with God and the word was God.
    The tongue is the rudder of the soul. It is not what passes into 
our lips that defiles us but
                                                    3

every untoward utterance that proceeds out of our mouths.
Words, as sounds, affect us subliminally, supplying us with a feeling for whatever we name. It is that feeling that we experience from the sounds of our words that supplies us with a subliminal consensus for our world-view. We cannot realistically expect humans to act in a way contradictory to their culture’s bias. Marx’s economic/social theory was used as a rallying standard to enable regime change. After those individuals who had experienced the tyranny of the czar had left the scene, the body-politic eventually rejected collectivism, (the transplanted economic organ). Russian culture is fundamentally the same as it was when the roots of its present language were established and Russian society naturally reverted to its cultural default mode after the revolution. After a short time, the czar was replaced by the head commissar. Marx held that the economic relationships within society create all other human relations. It seems that culture is the cause of the nature of human relationships within any society.
                                                      The Culture Made 
Us Do It
                                          “The unrecognized function 
of language”
    As an iceberg exists mostly under the surface of the water which 
supports it, the fundamental consequence of language tends to be 
hidden under the surface of our awareness. Most crucial human 
activities go on without awareness, for example, all of the bodily 
functions. Many conscious activities proceed without much deliberate 
awareness. Once one knows well how to drive a car, much less awareness 
is needed to operate the vehicle. The subconscious mind supports the 
same kinds of activities as does the conscious mind, however with less 
effort. Anything that can be automated, is.  Automating essential 
activities frees the conscious mind to focus on issues about which we 
feel we need to learn in order to more effectively cope, (those issues 
that require conscious attention until new behavioral patterns are in 
place). There is no need to be aware of processes that take place well 
enough without attention. It is only when a problem arises that we 
humans, in an attempt to solve it, focus our awareness on it. If we 
are coping well enough without awareness, why be aware? We don’t fix 
something if it doesn’t seem broken. We don’t reinvent our wheel as 
long as it’s rolling. However, upon examination, our human condition 
appears to have been painfully broken for as long as we can recall, 
and must be repaired. How may we fix it?
    Could it be that our behavior is governed by something that we 
cannot see, something of which we are not cognizant? Is there anything 
in our nature that would preclude such a possibility, the possibility 
that our behavior may be directed by influences not within the purview 
of our everyday consciousness? What could such a force be?
    The ability to produce simple vocal sounds made it’s appearance on 
the scene before our
                                                    4

progenitors made words of those sounds. The ability to vocalize articulately is a prerequisite to the ability to verbalize. Words appeared when our ancient ancestors became cognizant of the relatedness of stimuli to their own vocal reactions to them. When they began deliberately using vocalizations to bring to mind things, they made the transition between deriving their sense of the meaning of things by direct experience of the things to deriving a sense of the meaning of things by experiencing the affects of the sounds of the words for the things. This supersession of the primal world by the linguistic world was the start of culture.
    Being able to talk about things was very advantageous to our 
distant relatives. They could confer and plan. More important, they 
experienced a common sense of the meaning of the things in their world 
by using common symbols with which to refer to them.
    Culture was advantageous to our ancestors in the ancient, 
pre-industrial environment. Now our technology provides us with the 
power to create and reside in an artificial environment, however one 
made according to the values inherent in our primitive culture. Our 
culture provides us with marching orders and our technology enables us 
to march very forcefully. Are we marching toward the edge of a precipice?
    
    All action is preceded by a decision to act, be that decision 
consciously or subconsciously made. All decisions are based on a 
consideration of the consequences of those decisions. These effects on 
us of the consequences of our actions are the same as and identical 
with the meanings of those actions. How do we know the meanings of 
things? How do we know the affects on us of any thing? Do we know the 
effects on us of things directly as a consequence of our direct 
experience with them or by indirect experience with them by using and 
experiencing the words for those things?
    Language is the factory and culture is the product. Culture is an 
abstraction and language is the physical mechanism from which it 
springs. Language is emotionally evocative sounds used to represent 
things, thereby conveying to us a sense of the 
affects-on-us/the-meanings-of those things. Our sense of our own role 
in our culture provides us with our identity and therefore with 
guidance for our behavior. The cultural values, derived from our 
ancestors’ experiences long ago, as represented in our language, are 
instilled in us and direct our behavior today. A body continues in its 
state of motion unless it is acted upon by an outside force. Human 
culture will remain fundamentally unchanged unless it is deliberately 
changed; and that will not happen unless we feel the need to do so and 
know how to do it.
    Culture resides in the subconscious mind. Many others have spoken 
about the need to change the way we, as a society, think: many have 
tried, by using means such as meditation, sleep deprivation, 
psychoactive substances, chanting, philosophical inquiry, etc. to 
accomplish this change and may have been successful to a degree. 
However, it seems they were not able to lastingly infuse into society 
at large their newfound vision, due to not addressing the status quo 
at the
                                                    5

root/source, which is the culture. Understanding how language functions makes it possible to change our culture.
                       How did language arise?

How did language arise? Originally, our progenitors’ vocalizing only expressed internal-goings-on/emotion and did not refer to anything external to them. It was advantageous to members of the group to be informed of the emotional conditions of other members. Much later, when consciousness developed enough for them to see the connectedness of the sounds uttered to the things the sounds were uttered in reaction to, they realized that they could bring to mind the thought of the things by uttering their associated sounds, (names). The beginning of talking about things was the start of culture,and the talking about things refocused the talkers’ conscious attention away from the experience of the emotional reactions to the sounds of the words, and toward thoughts related to the things to which the words referred. While they were busy directing their attention to thoughts related to the things to which the words referred, they were being emotionally affected by the vocal sounds they were making to form their words. So, the effects of the sounds they were making vocally were experienced subliminally, while consciously, they were dealing with the thoughts of the things referred to by their words. The affects-on-us/meanings-of things cannot be proven. All they had and all we have to go on are the effects on us of the things and the effects on us of the sounds of the words that represent the things. While the effects of the things are changeable through time and somewhat unique to each individual, the effects on us of the sounds of the words are relatively consistent and universal. Having nothing else to go on, we accept the effects on us of the vocal sounds of words as revealing/representing the effects on us of the things referred to by the words. In this way, culture is formed and passed to succeeding generations. Our world views typically come from the sense of the meaning of things as represented by the sounds of our words rather than from the sense of meaning we may gain from the direct experience of the things themselves.
    Do vocal sounds, themselves, communicate? When someone utters a 
vocal sound, such as a sigh, a growl, a whimper, a scream, etc., do we 
get a sense of how they are feeling? If so, they are communicating 
their condition. How does that communication take place? Do we receive 
information communicated in such a manner consciously, subconsciously 
or by both ways? What is the means by which an emotion can be conveyed 
by sound? Can emotion, or anything else be communicated by the 
articulate sounds of our vowels and consonants, or do only 
non-articulate vocal sounds convey meaning? If we allow that vocal 
sounds, simply as sounds, communicate,  then is it possible or likely 
that the vocal sounds we use to make words also communicate as well 
when used as words? What would be the effect of using inherently 
emotionally meaningful sounds as symbols to represent external things? 
Would the inherent meaning of the sounds affect our perception of the 
things represented by the sounds?
                                                    6

These considerations may shed light on the issue of the root causes of human behavior. Naturally, those who contemplate our condition and would improve it if they could, would be attentive to these matters.
    All of life’s processes exist as movements. Emotional conditions 
are patterns of motion. Similar structures, in keeping with the 
mechanics of resonation, impart, on each other, their movements. Our 
vocal apparatuses facilitate our ability to move with each other.
    The vibrations made by the body convey the condition of the 
emotional body to other similar/human emotional bodies, and to some 
degree, to other animal emotional bodies. The more similar the other 
body, the more the condition is transposed. Humans receive each 
others’ vocal and other body-language communications more readily than 
other species receive human communication. Similar structures transmit 
their resonation/vibration to each other more readily than do 
dissimilar structures.
    
    My quest for understanding of human behavior began long ago. When 
I was around the age of six, I became increasingly aware that the 
folkways and formal institutions of our society were lacking in 
humanity and common sense. I asked myself why this was so. As a child, 
I attributed the problem to people’s personal psychology and it was 
not until I was in my late teens that I realized that the cause of the 
problem is our culture. It was shortly after that that I understood 
how verbal/vocal communication works. The cause of The Problem seemed 
and seems to be the culture which is created by the relationship 
between vocal sounds and what they, as words, refer to.
    Some of the reasoning that preceded this realization was first, 
that we are not created evil, but rather simply with survival 
instincts. Second, that if we were able to act sanely/rationally, we 
would be doing what produces the best results for everyone. Third, it 
must be something we learned, some misinformation, that causes us to 
behave in ways not in our own self-interest. Fourth, when I considered 
the question of from where this false information came, I identified 
as the source, the culture. Later, I realized that we do not, for 
sure, know the meaning of anything, and that, as far as we know, the 
only thing constant and predictable about any thing is its name, (the 
word-sound we produce in order to bring to consciousness whatever 
thing to which we choose to refer). After a time, I became aware of 
how the different vocal sounds we produce when we speak words, each 
create in us a unique effect and how those effects inform us 
subconsciously of the affect on us, (the meaning), of the thing itself 
to which the word sounds refer.
    At this time, I also learned that the sequence of sounds of the 
letters of our alphabet represents a sequential delineation of 
emotional/experiential events. From A to Z, the succession of the 
sounds of the letters of our alphabet is an example of 
pattern-projection/recognition, the pattern, in this case, being the 
seminal emotional events that humans experience during their lives, in 
chronological order.
                                                    7

Emotions happen to us: They seem to come from the “great mystery”, God, or whatever image we may use to portray a place from which strong and compelling feelings emanate.
    Given, all the vocal sounds that people can make, how would one 
arrange the sounds sequentially and from what archetype, (model), 
would the pattern of that sequence come? Even if the originators of 
the present alphabet deliberately imposed a pattern on their 
arrangement of the letter-sounds, whatever world view that existed in 
their minds caused them to feel most comfortable with the sequence of 
sounds they chose. The sequence they chose must have been agreeable 
with the story that was represented in their minds by those sounds in 
that sequence. If one admits that vocal sounds affect us, then how 
could a story, a sequence of affects,  not be told by the sequence in 
which the sounds exist? Whether or not the originators of any 
particular alphabet had a conscious reason for arranging the sounds of 
that alphabet in the sequence in which they appear, subconscious 
reasons were influencing their arrangement none the less. Does this 
story, told by our alphabet make sense? Does it seem to be an accurate 
representation of the main events in a human’s life?
    We tend to cling to our culture as if our lives depended on it, as 
a drowning person might cling to a life preserver. Culture offers an 
answer, -in this case subconsciously apprehended-, to the question,  
“What are the meanings of things?” Without culture, there tends to be 
no consensus about what things mean. Language informs us of the 
meanings of named things by the affects on us of the sounds of our 
words. Those who use the same language experience the same sense of 
the meanings of the things that make up their worlds. That sense 
emanates from the deep levels of their subconscious and their final 
assessment of the meanings of things results from their processing 
that deep, culturally caused base sense of meaning through the lens of 
their perception of their own relationship to the society in which 
they live.
    For the sake of clarity, let us consider, hypothetically,  what 
the result/s would be of using meaningful sounds to refer to things. 
Would the meanings of the sounds spill over into the perceived 
meanings of the things or would the meanings of the things influence 
the perceived meanings of the sounds? Or would neither influence the 
other or would they influence  each other? Which has a stronger 
meaning-pressure, the sounds we make with our voice or the things 
which, with the sounds, we name?
    The vocal sounds express/communicate states of the emotions first 
and foremost, and as an afterthought, so to speak, they are used to 
refer to things. They communicate emotion by moving the auditory 
apparatus of the hearer in a manner analogous to the movements of the 
vocal apparatus of the speaker, thereby creating in the hearer an 
emotion analogous to the emotion present in the speaker. Just as the 
touch of the hands conveys the intent of the toucher, so the vocal 
motion of the vocalizer creates in the hearer an emotional state 
analogous to that of the vocalizer.
    Just as our becoming-human progenitors were gaining consciousness, 
(the ability to
                                                    8

contemplate the consequences of their actions), they were, for the first time, using vocal expressions as words to refer to specific things, not only to express immediate emotional goings-on. Since they vocalized primarily under duress, their words were expressions born of fear rather than of conscious understanding. The mind concentrates on problems, on issues that could potentially be destructive to the perceiver. When this fear-based thinking bias becomes institutionalized in language, the language itself is a source of anxiety. The more we verbalize about any given problem, the more stressed-out we become. This reminds me of an Eskimo method of killing a wolf. They would smear congealed blood on a very sharp knife and set it out, with the blade pointing upward, where wolves frequented. When a wolf licked the blood, it would bleed and lick its own blood not knowing it was bleeding to death. We are wolfish for knowledge and we pursue it by using our main thinking tool, our language. The Unrecognized Role of Language Culture is the hidden law-of-the-land. We are creatures of culture, and its subjects. Our culture originally enhanced our survivability and, in a technologically advanced world, may become the instrument of our destruction. Our culturally motivated ways of relating to one another may have once been viable, although perhaps immoral, and now, with our powerful ability to cause environmental change, are untenable.
     ”The release of atom power has changed everything except our way 
of thinking...the solution to this problem lies in the heart of 
mankind. If only I had known, I should have become a watchmaker.” --- 
Albert Einstein
    I wish to change what is in that “heart”.

The referential function of human language is merely the “tip of the iceberg” of the role of language. Its larger and more profound function is unacknowledged: It is spoken language’s informing us of the meanings of all to which we verbally refer. We are moved in a primal way by the sounds we produce with our voice and, in the absence of any “objective”, absolute information regarding (the affects on us)/(the meanings of) the things of our world, we accept the affects on us of the vocal sounds of our words as representing the affects on us of the things to which our words refer. In this way, we are informed subliminally, simply by learning our language, of the meaning of our world. How else could we, as very young children, have achieved a sense of how we were affected by the numerous things that made up our world? This matter is of paramount importance because we act in accordance with how we perceive our world, (with what our world means to us), and our sense of that meaning is derived from the affects upon us of our words. Much of human behavior that is commonly attributed to “human nature” is actually motivated by cultural nature, which is created by language.
                                                    9

How and what would our society be if we had a culture which instilled in us the values that we would consciously choose to hold? Presently, we simply assimilate the culture in which we are born. Once we understand the mechanism of cultural transmission, we will be able to change our group program.
    However, it seems that many of us may be too timid to venture 
forth from the false security of our unquestioned and familiar values. 
Some have expressed to me that language is a product of nature and 
that to change it deliberately would produce an unnatural result, a 
Frankenstein culture, the consequences of which would probably be 
destructive. To those I suggest that we are inherently unable to 
venture out of the natural realm, as we are inextricably woven into 
the web of nature. Furthermore it is entirely correct and wholesome 
for us, with the goal of improving our survivability, to choose to 
correct our culture at its source. Once we see how we may help 
ourselves, we would be within our progressive evolutionary tradition 
to use all our knowledge to do so.
.
Vocal sounds either communicate as vocal sounds or they do not. If we assume that vocal sounds do not communicate, then language only blindly and unintelligently refers to things. If we assume that vocal sounds do communicate something, as vocal sounds, then language does more than merely refer to things: it also informs us about the things named. Which is true? Do any of us believe that our vocal sounds do not express/communicate anything? If we believe that vocal sounds communicate/express something, then what is it that they communicate/express? If vocal sounds do communicate as sounds, do they loose that communicative function when incorporated into words or do they continue to be expressive when used in words?
    If vocal sounds that constitute words communicate something as 
sounds, then what effect does the sound of a word exert on our 
perception of the thing to which that word refers?
    Many seem to have difficulty accepting the idea that the primary 
meanings of vocal sounds, including the sounds of words, are the 
effects they cause within each of us and not the things to which they 
refer when uttered as words. Another point that aided me in 
understanding the function of language is that we really do not know 
the meaning of anything but rather behave as though our 
taken-for-granted assumptions are valid only because they have not 
been held to the light of inquiry. It is only that which resides in 
our subconscious and of which we are not conscious and consequently do 
not question, that we act as if we “know” for sure. Remember the 
caterpillar in Alice in Wonderland? When asked how he managed to 
coordinate the movements of all those legs, he became aware of the 
previously unconscious process of walking and then could not walk. The 
only sense of the meanings of things that we dependably share with the 
others of our society is instilled in each of us by the relationship 
between the sounds of our words and the things to which those words 
refer. Words are the link between our autonomic, cultural sense of 
meaning and the things that make up our world. We give things a 
familiarity by attaching to them sounds created by our body. Our words 
are related to things because the vocal sounds of our words are 
related to our reactions to those things. We may not ordinarily 
experience an emotional reaction to the things that
                                                    10

make up our world. It is during our seminal moments that we experience emotional reactions to things.
    What meaning, if any, do things have if we are not affected by 
those things? All meaning is relative. If we were totally unaffected 
by something, would it be meaningful? How would whatever meaning it 
may have be perceived? Clearly, what we want to know about something, 
(anything), is how it affects us, (what it is?).
     After many attempts to share these findings with those in 
academia, their lack of understanding, even more their lack of 
interest in understanding the ideas I was putting forth , dampened my 
impulse to reach out to those whom I previously had thought were most 
likely to understand these findings.
    I figured that what I was saying was challenging on a deep level 
to most, who would otherwise gain a glimpse of it. My discovery, seems 
to threaten the sense of security of those who consciously or 
otherwise treat their culture as an idol. Some of us, especially those 
of highly exercised intellectual abilities, feel that security is to 
be had by being able to “explain” the meaning of things. By uttering 
words, (sounds), about things, what meaning is revealed? Doing so may 
create the illusion of understanding by seeming to make the named 
things familiar. But does it, only inform us with the effect/meaning 
of the sounds of words, or with the meaning of the things as well? 
What are the meanings of the things?
    
    It appears that culture is the root of all normal human behavior. 
We all behave according to our values and assumptions and those derive 
from our culture. Do our academicians know what culture is, how it 
relates to the people who are instilled with it and how it may be 
changed?
    We are informed subliminally of the meaning of our world by the 
language that we speak.
    Why is it so difficult for people to understand how language 
generates culture? What is/are the missing piece/s of information that 
they need in order to grasp that concept?
    A better way is possible. We need only the vision of this better 
world, as an everyday experience, in order for us to act in accord 
with it. The consciousness of how to act in order to create the world 
we wish must be the status quo, not the rarity that it now is. This 
changing of the status quo can be accomplished by changing the culture 
and changing culture is accomplished by changing language.
     Are we conscious that we are affected by the sounds we make with 
our voice? We are commonly aware that the quality of singers voices 
affects us. We know that great orators and actors affect us with their 
delivery and vocal character. Everyone’s voice affects us. We are 
aware of the affect of tone of voice but not of the affect of 
articulated phonemes per se.
                                                    11

We have no way of knowing the final meaning of anything. We might think we know what a thing will do to us in the immediate future but what about how it will affect us much later? When we become aware of something, we question its meaning and once something is questioned, we never gain a sense of its absolute meaning Only that which remains in the subconscious we do not question. The feelings that well up from our subconscious, in reaction to various things, seems to be true absolutely. Our feelings strongly affect our train of thought. The certainty of the uninformed is typically replaced by the wonderment of the “enlightened”. Our culture/language supplies us with a sense of knowing the meaning of all things for which we have a name. This sense of the meaning of things helps us to feel secure in the face of an uncertain, threatening world. We gain that sense of knowing the meaning of things simply be having words for things. Our subconscious accepts the affects of the sound of the words as being the affects of the things to which the words refer. The words stand for the things we name with them and replace, subliminally, our perception of the things referred to with our perception of the words themselves. The words are all we have to go on for the sensing of the meaning/effect of the things. Having words inform us of the meanings/effects of things seems to have some advantages compared to being informed of the meanings/effects of things by direct perception of the things themselves. All those who use a particular language have the same basic subliminal sense of the meanings of named things and consequently, are able to participate in the group dynamic of their society. The words for things stay constant through time while how we are affected directly by things changes. We can share experience, knowledge and wisdom with words. Without words, our own personal experience would be all we would have and we would not be able to share it. Words enable abstract thought and planning.
    We think, influenced by the feelings of the sounds of words for 
things and feel as though we were thinking with the perception of the 
things themselves.
    Are we conscious that we are affected by the sounds we make with 
our voice? We are commonly aware that the quality of singers voices 
affects us. We know that great orators and actors affect us with their 
delivery and vocal character. Everyone’s voice affects us. We are 
aware of the affect of tone of voice but not of the affect of 
articulated phonemes per se.
    
    When we utter vocal sounds that are simply sounds and not words, 
we may, more easily,  experience consciously, the effects of the 
sounds, than when we speak words. When we speak words, we typically 
experience consciously the referential function of the words and not 
the affects on us of the sounds of the words, while we experience the 
effects of the vocal sounds of words subliminally. Because we 
experience the one thing, (the referential meanings of the words), 
consciously, and the other thing, (the affects on us of the sounds), 
subconsciously, we
                                                    12

subconsciously interpret the subliminal effects of the vocal sounds as being the effects of the things to which the words refer. The subconscious mind supplies us with the bottom line of the meaning of whatever it is we are considering because we cannot reason with the subconscious mind and we can with the conscious mind. Whatever we are conscious of, we can question and whatever we question becomes uncertain. However we have a language-based subconscious reaction to that which the (meaning-of)/(effect-on-us) is consciously unknown as long as we have a word for it, and that subconscious reaction creates an experience of and hence a sense of knowing the meaning of that which, prior to being named, did not seem to be known. The word, made of sounds of our body, stands in for the unknown thing, the thing separate from our body. In the absence of any objective sense of the meanings of things, we rely on our words to provide us with a sense of knowing, because knowing relieves us of the stress of anxiety. We are driven into the perceived safety of our familiar culture, as represented in our language, by the stress of the fear generated by not knowing. One must be willing to accept the mystery of existence in order to experience, free from the bias of existing culture.
    Considering words to be things in and of themselves, (sounds), and 
not only a means to refer to things, will enable us to examine them 
for their inherent meaning. The primary meaning of a word is not the 
thing which it represents. It is, rather, the affects on us of it’s 
sounds. We consciously consider the meaning of the word to be the 
thing to which the word refers and we subconsciously experience the 
meaning of the word as the effects on us of its sounds. Because we 
experience, profoundly and consistently, the effects on us of our 
human vocal sounds while we experience less intimately and less 
consistently the effects on us of the things to which we refer with 
words, the emotional effects of the words as sounds overrides the 
emotional effects of the things named, and informs us of the nature of 
named things.
    
    In a similar way that explorers laid claim to land in the name of 
the monarch, we tend to lay claim to that which we name in order to 
render it seemingly familiar and known.
    
    Everything that we perceive subconsciously creates an emotional 
reaction that may be experienced consciously and everything that we 
perceive consciously affects us subconsciously as well. We consciously 
perceive the sounds of spoken language and we are also affected 
subconsciously by those same sounds. In the course of verbal 
communication, we think of the things to which our words refer while 
subconsciously we are emotionally affected by the sounds of our words. 
This simultaneous occurrence of the thought of a thing and the 
subconscious experience of the emotion generated by the sound of the 
word we use to refer to that thing, subliminally informs us of the 
affect-on-us ,(the-meaning-of), the thing. In this way, we acquire a 
sense of the affects-on-us, (the-meanings-of), everything for which we 
have a word. This is important because our actions in relation to the 
things that make up our world are motivated by our perceptions of the 
meanings of those things. Therefore, if we would change, for the 
better, our societies’ behavior, we ought to change our languages.
    Since spoken language is crucial in determining the course of 
human events, it would be
                                                    13

better if we consciously agreed with the subliminal sense of the meanings of things which is instilled in us by our language.
    We humans are not doing so well with our relationships with one 
another that we should be complacent regarding the improvement of our 
culture.
    People have been attempting to address social and economic 
challenges ever since there were people. All the religions were 
attempts to provide a basis for our behavior. Marxism was/is an 
attempt to remedy social and economic inequality and exploitation. 
“Hippie” communes were typically instituted to provide healthy social 
environments. Organized politics and codified legal systems were/are 
created, supposedly, to improve our condition. Why is it unclear 
whether any of these deliberate social structures actually made/make 
our situation better or worse? Could it be that the cause of our 
malaise is something that is not being recognized by those who strive 
to improve our lot? For how many years, for how many centuries and 
millennium will we try to fix our broken world by creating laws, 
religions, political and economic institutions before we decide that 
doing so does not deal with the source of the problem? Marx’s mistake 
was believing that economics is the foundation upon which all of 
society’s other institutions are based. It seemed reasonable to him 
that since life is based upon the biological economics of survival, 
that economics must be the determining force in society. He did not 
see that our culture provides us with a sense of the meaning of all 
recognized things thereby assuaging the fear/terror that naturally 
arises as a result of our consciousness of our physical vulnerability 
and that we tend to protect and defend that culture because of the 
perceived security which it provides. Once culture is established, it 
causes the economic and social relationships to be what they are, and 
they cannot be lastingly changed without changing the culture.
    
    The culture, created by language forms our values which then 
strongly influence the decisions we make consciously and  subconsciously.
                                                             What is 
culture?   

    I define culture as the common fundamental values held by the 
members of a society. These values derive from our perception of the 
meanings of, (the affects on us of), the things that make up our 
world. “Things” are whatever we identify as being distinguishable from 
other things, which include feelings, thoughts, values, people and 
ideals. The meanings of things are one with and the same as the 
affects on us of those things. How do we acquire our sense of, (the 
affects on us of)/(the meanings of), things? Is it from our own 
individual experiences with things? Is it from what we say to 
ourselves and to each other about things? If it were based on 
individual experience, how would we achieve consensus and if we could, 
why would all cultures not be pretty much the same?
    Most would hold that even within a given society our individual 
values are not the same and
                                                    14

surely the popular view of what our values are, indicated by a cursory survey of our behavior, seems to support that conclusion. When attempting to assess the values that underlie behavior we should consider the influence of the role that each individual sees themselves as playing within their culture. Given the same subliminal, fundamental values, individuals within any society tend to behave not only relative to those basic values but also relative to how they perceive themselves, (who they perceive themselves to be), within their society.
    It seems that the cause of the problem of why we do so many 
seemingly destructive and self-defeating things must be so basic, so 
fundamental as to escape our awareness. It must be housed in the 
subconscious mind since all our attempts to address it have been 
futile. It is that which we don’t consciously know that we 
subconsciously know that sometimes makes us wonder why we do what we 
do. Our emotional reactions are influenced by that which resides in 
the subconscious just as they are by that of which we are conscious, 
and often, we create rationales to explain our behavior, while the 
actual reasons for the feelings that motivate us may be other than 
what we choose to think.
    What does every cultural group share within itself that affects 
its members profoundly and without their conscious knowledge? Where 
are the hidden rules, by which we live, to be found? Our culture is an 
artifact, inherited from distant ancestors, formed in an environment 
vastly different than today. Ways of interacting with one another that 
may have seemed to work then now appear to be dysfunctional. The 
primary example is war, which before weapons of mutual destruction, 
was rationalizable by the victors. But now, with nuclear weapons, 
would there be any victors? We still think as we did then but we 
cannot afford to act today as we may have believed we could then. Our 
technology has evolved tremendously but our culture has not. We are 
ill-equipped to cope with the situation our technology has enabled us 
to create. Furthermore, even if war seemed winnable, wouldn’t we 
prefer peace?
    
    If we admit that vocal sounds inherently affect us, as do facial 
expressions and general body posture, then we may ask how our sense of 
the meaning of the things which make up our world is affected by using 
inherently meaningful symbols to refer to them. What is the relative 
strength of the emotional effects upon us of our symbols compared to 
the emotional effects of the things to which they refer? Considering 
that the emotional effects of the things themselves vary with context 
and is peculiar of each of us, and that the emotional effects of the 
vocal symbols is relatively consistent and universal, can we assume 
that the meanings of the symbols create the perceived meanings of the 
things? Is this relationship the same or different within the 
conscious and subconscious minds? Does our conscious or subconscious 
mind more strongly influence our behavior? Are our behaviors affected 
by our subconscious minds even when we are trying to do what we 
consciously think we should do?
    We either are or are not affected by our vocal utterances. I see 
that we are. If we were not affected by our vocal utterances, we would 
not vocalize. The whole purpose of vocalizing is
                                                    15

communication! And in order to communicate, we must be affected by that which we use to communicate.
    What, we may ask, is communicated by vocalizing? What is 
communicated when other animals vocalize? It is clear that animals 
communicate their instantaneous emotional states by their 
vocalizations. How is this communication accomplished? The vibrating 
of the body of the vocalizer, (sender),  causes the body of the 
receiver to vibrate in sympathy. The receiver experiences the motions 
and consequently the emotions of the sender. This simple process is 
the foundation of our vocal activity, our verbal activity, (our 
language), and our culture. Many of us seem to balk at accepting the 
idea that our lofty retorical proclamations are founded upon such 
primal processes. If you are one of these, consider that our genetic 
blueprint is shared, in the majority, by all other vertebrates and 
largely by all other animals. To those who disparage animals, please 
be reminded that the Grand Creator authored ALL of everything, not 
only us and those of whom we approve.
    What are the ingredients that make up the mix of influences that 
determine human behavior? Given that we are intelligent enough to 
appreciate and cherish the truths that are our guiding principles, and 
given that we are not born self destructive, then for what reason/s 
did we act as we have? From where does the false information come that 
motivates much of our behavior? “Human nature” does not account for 
our inhuman actions. The cause of our destructiveness must exist among 
the things which we learn.
     From what ultimate source do we acquire our information regarding 
the meaning of our world? Our culture is that source.
    What have we got to go on in order to achieve a sense of the 
meaning of our world other than the words we speak?
    Do we have a benchmark for establishing the meaning of things?  If 
everything is relative, what is it relative to? We need not look 
further than ourselves to find that. How could it be otherwise? We 
look out from our eyes and hear with our ears and think that we can 
objectively determine the nature of each and every thing that we 
examine. However, with our survival in the balance, as it inescapably 
is, how whatever it is that we examine relates to our survival 
determines what it must mean to us. How we are affected by the things 
that constitute our world establishes their meaning. The vocal sounds 
we make express and convey the different emotional effects we 
experience. Our words are made up of these body-sounds. Therefore, our 
words convey emotional meaning and inform us of the affects on us of 
things for which we have names.
    Language exists in both the conscious and the subconscious. We are 
conscious of the words we speak and of the things to which they refer, 
while they inform us subconsciously of the effects on us, (the 
meanings of), those things to which they refer.
    Does it matter what things mean? Does it matter what we think they 
mean? Do our actions
                                                    16

relative to them depend on what they mean to us? Do we act in relation to things according to what they mean to us? How do we know the ultimate effect on us of any thing? Is the effect on us of any thing its meaning? How can any thing mean to us anything other than what its effect on us is? How do we obtain a sense of the meanings of things? Do we get that sense of the affects-on-us/ the-meanings-of things directly from our own experience with things or as mediated by language? Of all forms of body language, (vocalization, facial expression and overall body posture), only one of them,vocalization, is commonly used to represent things other than conditions of the emotional body. Our general posture is very communicative of our physical-emotional state without our deliberate intent and is sometimes used deliberately to convey the same. Facial expression can be more finely communicative of our state of being/feeling than is general body posture. Vocalization, while being profoundly expressive/communicative, is, by civilized people, ordinarily exclusively reserved for uttering words. While we are not aware of the affect upon ourselves of the phones we utter, we are aware of the effect upon ourselves of the emotional embellishments we add to them. Often, we consciously add emotional content to our words in order to embellish their referential meaning. Since we are busy, often consciously, processing the referential meaning of our words, we are unaware of the emotional impact of the sounds that make them up. Each distinct articulate vocal sound affects us in its own unique way. Understanding this is crucial to understanding the workings of the culture-creating function of language.
    We not only refer to things with our words. More profoundly, we 
inform ourselves of the very meaning of those things simply by using a 
word, (a vocal sound), to refer to them.  This information as to the 
affects upon us, (the meanings of), the things which make up our 
world, constitutes our culture. Culture is information, 
(in-formation). Since we are not aware of the nature of this 
information, it exists in our subconscious minds. We act according to 
a subconscious program put in place by our language. If we understand 
how we receive information regarding the meaning or our world, we can 
change that information so that it agrees with what we believe to be 
the nature of our world. Our culture was passed down, from long ago; 
from before electronics, before motorized transport and the printing 
press. If we were to deliberately create our language today, would we 
create the one we currently use? If so or if not, why? Would we know 
how to create a language that conveys the meanings of things that are 
their actual meanings? If we would know, how would we know? If not, 
why not?
    That which affects us profoundly and constantly must be in close 
proximity. Things right in front of us are often overlooked when we 
search for that which affects us powerfully. We tend to assume that if 
the causes of major difficulties were so close to us, it would be 
obvious and we would have discovered them by now. Let us reexamine our 
major influences  to look for what causes us to behave as we do.
    Our species, is plenty smart enough to understand why our saints 
and prophets are correct when they exhort us to be “good”.  We create 
secular laws that mirror our religious tenants and are
                                                    17

sensitive to any critique of our behavior. Our feelings of guilt seem to be well developed. Why then do we act as we do; making war against one another and engaging in all kinds of destructive activity?
    I have heard many claim that it is simply “human nature” to act in 
destructive ways. Those who believe that, feel that there is nothing 
to be done to correct our human malaise other than punishment. Evil 
ones must be trimmed back, like a noxious and thorny vine. I do not 
subscribe to that depressing idea and know that the truth of the 
matter is that we humans are inherently survival oriented and will 
learn whatever seems as though it will further our survival. It is 
because of our native intelligence coupled with our survival desire 
that we voluntarily stretch our consciousness in order to glimpse a 
better way for ourselves to carry on.
    What are the forces that influence our behavior? What we believe 
to be good and correct does not, it seems, by itself, determine our 
actions. Do we not fully believe that what seems to be right to us is 
truly right? Or is there some other influence that informs us of what 
the world and all the things and concepts and people in it mean to us, 
something else that influences our perception of how we must behave in 
order to survive?
    Our behavior is related to how we are affected by the things that 
make up our world. We behave in relation to the various things that 
fill our awareness, according to how they affect our survivability, 
(how we PERCEIVE that they affect our survivability). We perceive the 
world directly through personal contact with it and indirectly through 
contact with that which represents the world to us, (our language). 
Language represents the world by labeling everything about which we 
speak, with sounds made by our bodies. Those vocal sounds are part and 
parcel of states of our emotions. Our preverbal progenitors and our 
children when young, make vocal sounds in reaction to various 
environmental stimuli. Those emotive sounds are intuitively made sense 
of by all who hear them. We sense the vocalizations and they make 
sense to us. The vocal sounds are made by a body in an emotional state 
and cause that state to be reproduced in the emotional body of the 
hearer of those sounds. The sending body vibrates and the receiving 
body vibrates similarly. An emotionally linked vibrational pattern is 
spread from the originator of the vocal sound-vibration to whoever’s 
auditory apparatus is moved by it. The transmittance of the 
vibrational pattern is the transmission of the emotion. We are 
emotionally affected by the emotions of others.
    Language is an institution, a standardized way we move our bodies, 
specifically our vocal apparatuses, our ears, central nervous system 
and emotions, in relation to the various things that make up our 
world. In relation to a book, we who speak English, utter the sound, 
“book”. In relation to a book, a Spanish-speaking person utters the 
sound, “ libro”. These two different sounds move us in different ways, 
giving us a different experience of that which refers to and 
represents that object and consequently, of the thing referred to. The 
primal meaning of a word is the effect the sound of it creates within 
us. The secondary, more distant meaning of a word is that to which it 
refers. The secondary meaning is what we commonly accept as being the 
one and only meaning. We are
                                                    18

generally not aware of the primary meaning, because we are affected by the vocal sounds of our words subliminally and by the secondary, referential, meaning of words consciously. Awareness of the primary meanings of vocal sounds was superseded by the awareness of the secondary, -referential-, meaning of vocal sounds used as words.
    To understand the functionality, the “nuts and bolts”, of 
language, is to free ourselves of domination by culture, to be the 
masters of culture rather than its subjects. We have been inextricably 
attached to culture, for better or for worse, ever since our use of 
language began. Now we can intentionally create a language/culture 
that informs us as we would like to be informed, of the effects on us, 
(the meanings of), all the things we name.
    Certainly we agree that we are affected by the sounds we utter. 
What then is the
consequence of referring to all the things to which we refer, (all the 
things that make up our conscious world), with inherently meaningful 
sounds? If we were able to refer to things with “meaningless” symbols, 
then all we would be conveying is the thought of the thing. When we 
refer to things with inherently meaningful symbols, we are also 
informing ourselves of the meanings of the things to which we are 
referring. Is there such a thing as a meaningless symbol? Is anything 
meaningless? In order to perceive anything, including a symbol, that 
symbol must register upon our senses and in order to register upon our 
senses, the sensed thing must affect us. No effect on us, equals no 
perception by us. Whatever the affect on us is, is the fundamental 
meaning of the sensed thing. When we refer to things, we are primarily 
being affected by the symbol which we use to do the referring and 
secondarily by the memory, if there is a memory, of the thing to which 
we are referring. When we refer to something with which we have no 
direct experience, we have only the symbol, (word), to affect us and 
thus to inform us.
    If there is a discrete connection between a vocal sound and  a 
thing, and a connection likewise between a particular vocal sound and 
a specific effect on the emotions, then there is a connection between 
the effect on us of the sound and the thing to which that sound, 
(word), refers.
    We are aware that sound has an effect and that the word is sound 
and that the word has an effect and that the word refers to a thing. 
Are we aware that, for all intents and purposes, the effect seems to 
be the thing. How we are affected by a thing, our perception of a 
thing, is accepted subliminally as being the meaning of the thing. Our 
actions relative to the things in our world, are related to the 
perceived meanings of those things.
    
    We feel the feelings generated by the sounds of our words at the 
same time as we are deliberately focusing on the things to which the 
words refer. As a consequence, we associate particular 
vocal-sound-generated feelings with particular things. The thing does 
not define the feeling. Rather, the feeling defines the thing. The 
feeling of the word determines what is accepted subliminally as the 
meaning of the thing. The word enables us to experience feelings of 
the meanings of things not present, and unknown by direct experience. 
It establishes a sense of
                                                    19

consensus which wells up from the subconscious minds among the speakers of a given language.
    All throughout human history, language has been playing this role 
of consensus creator based on the information we derive from the 
sounds of our words regarding the-affects-on-us/the-meanings-of, the 
things that make up our worlds. If we would rather live in a culture 
of our own creation than in just any one in which we happened to be 
born, we might consider experimenting with cultural change through 
language renewal.
    I have been asked what I hope to achieve with this information. My 
desire is that we become aware of the forces that affect us so that we 
may be able to change the circumstances that exist to circumstances 
that we would prefer.
    
    Because of the inherent shortcomings inherent in existing 
languages, although words can be used in a kindly manner to help get 
us back on track when we lose our way, they cannot, in and of 
themselves, guide anyone who is determined to see things in a certain 
way. Only the willing can be helped. How can we help people to be 
willing?
    I observe that culture is the prosthetic subconscious of society, 
that which we who live in a particular society share with one another 
and have in common. It has to do with our world-view. Our world view 
is formed by what things mean to us. How do we obtain our sense of the 
meaning of our world? Do we share that sense with the others in our 
group or is it individual to each of us? Is it a conscious, 
subconscious or unconscious sense, or more than one of them?
    When I discovered that the sounds of words convey a sense of 
meaning, I realized that I had found the answers to these questions. 
We are informed subliminally of the meaning of our world by the 
language that we speak.
    
    Having words inform us of the meanings/effects of things seems to 
have some advantages compared to being informed of the 
meanings/effects of things by direct perception of the things 
themselves.  All those who use a particular language have the same 
basic subliminal sense of the meanings of named things and 
consequently, are able to participate in the group dynamic of their 
society. The words for things stay constant through time while how we 
are affected directly by things changes. We can share experience, 
knowledge and wisdom with words. Without words, our own personal 
experience would be all we would have and we would not be able to 
share it. Words enable abstract thought and planning.
    We think, influenced by the feelings of the sounds of words for 
things and feel as though we were thinking with the perception of the 
things themselves.
    Are we conscious that we are affected by the sounds we make with 
our voice? We are commonly aware that the quality of singers voices 
affects us. We know that great orators and actors
                                                    20

affect us with their delivery and vocal character. Everyone’s voice affects us. We are aware of the affect of tone of voice but not of the affect of articulated phonemes per se.
    When we make word-free sounds with our voice, we more readily 
experience the effects of those sounds than when we utter words. We 
generally do not sense the effects of those sounds when we verbalize 
because our attention is redirected from the affects on us of the 
vocal sounds to comprehending what the words represent. The primary 
affects upon us of the sounds of our words remain, on a subliminal 
level, when we use our vocal sounds as words. Using the sounds as 
words directs our attention to the things to which the words refer. We 
are affected by sounds of our words whether we make them simply as 
vocal sounds or as words.
    
                How We Are Affected By Our Culture           
                          And How We Can Change It?   

    

    The behavioral choices we make, be they deliberately or 
subliminally driven. are informed by our perception of ourselves in 
context to our perception of the world, -by the affects on us of the 
things that make up our world. We achieve a sense of how we are 
affected by the world more as a result of our language than as a 
result of our own nonlinguistic experience. Is that sense due to the 
actual firsthand effect of things on each of us individually? How 
do-we/can- we know what the ultimate effect of anything is upon us, 
either as an individual or as a society? Do we even know the meaning 
of life? How can we know the ultimate effect on us of anything if we 
do not know the purpose/goal of life? A particular way we are affected 
is either desirable or not, as that effect relates to that large 
purpose, and who among us knows that purpose and is able to show 
others, by proof, what it is? We seem to share, with other 
“reasonable” people, what we think is a commonsense view of life, but 
there is so much room for different choices. On what basis do we make 
our choices?
    In the vacuum created by the questioning mind, we have only our 
conventional wisdom, residing subliminally, as represented by our 
culture, to inform us. The more we question, the more we realize that 
we do not know. How can we act not knowing what things mean? We must 
have something to go on, a given, on which to base our choices. That 
given is our language. The sounds we use to refer to the various 
things we refer vocally to, seem to enable us to experience a feeling 
of the effect/meaning of the named things. We have nothing else to 
rely on, as individuals and more-so as a group, since our common 
language provides us with a common frame of reference.
    Vocal sounds themselves, whether they are within words or simply 
as sounds, are richly meaningful in the sense that they affect our 
emotional state. Vocalizing communicates states of our organism. Each 
particular vocal sound communicates/conveys a particular state. When 
we use
                                                    21

these vocal sounds, each with its own effect/meaning, to refer to particular things, as we do when we speak with words, we bestow meaning upon the things to which we vocally refer, things that we would otherwise not perceive as we do if not for their names. The sounds of our language are by, for and of our body/emotions/feelings, while the things we name are relatively removed from our immediate experience. Naming things seems to render them understandable. This sense of knowing is created by associating our familiar body-made vocal sounds with them.
    The perceived meaning-strength of our verbal utterances is greater 
than the perceived meaning-strength of the things named by them and 
thus, the affect on us of the sounds of our words pushes aside and 
replaces the affects on us of the things themselves. The symbol not 
only represents the symbolized in  our consciousness, more profoundly, 
the effect of the symbol, (in this case, the word),  on us 
subliminally, takes the place of the effect on us of the symbolized: 
the map replaces the territory. As we are beings who manipulate 
symbols to gain understanding, we live in a world of our own making, 
not because of deliberate design, but rather by the nature of 
language/culture.
    In a world prior to the proliferation of technology, using 
language enhanced our survivability. However, in a world in which we 
are surrounded by the results of our own efforts, (our artifacts), as 
we are now, our language/culture may be a major cause of our 
difficulties. Culture is a living artifact, representing the mentality 
of our ancestors and instilling that mentality, (that world-view), in us.
    I believe that once we understand the mechanism of culture, we 
will choose to create culture deliberately.
    Some say that existing culture is natural and that to tinker with 
it would be risky and probably harmful. I say that we cannot afford to 
fear to experiment with new ways of seeing our world. After all, we 
are not in such a favorable position relative to our prognosis for 
survival as a species, -precisely because of the effect on us of our 
culture-, that we should adopt a passive attitude regarding our 
culture. “If we do not change our direction we will end up where we 
are headed.”
    The meaning of any thing is the same as its affect on us and its 
affect on us is its meaning. It is the effect of a thing that we 
perceive and that perceiving informs us of the existence of the thing. 
It is only that which affects us that we perceive, and it is that 
effect on us that is its meaning. It defies logic and experience to 
hold that we are unaffected by our vocal sounds, either used as words 
or not. If we accept the premise that we are affected by our vocal 
sounds, that our vocal sounds communicate, we might ask ourselves what 
the affects upon us of those sounds are.
     The sounds of words do not cease to be things themselves, when 
they are used in words to represent other things. On the scale of the 
evolution of the human species, the use of vocal sounds to represent 
things is a relatively recent development. Prior to that, our 
forbears’ vocalizing simply expressed immediate body-mind states.
                                                    22

We are affected subconsciously by the sound/sounds of any given word in the same way as our forbears were affected by the things that now the word represents. They reacted to things: the vocal part of that reaction later became words and we who use/hear those words, react to the sounds of those words as they reacted to those things. Experiencing the word replaces experiencing the thing the word represents. Culture is instilled in us in that way. The word acts as a transmitter of experience. The experience that caused the sounds to be uttered is represented in those who hear those sounds/words subsequently. By this means, our forbears’ experience of things becomes our experience of those things.
    Thus, we are at once, informed and defined by our 
language/culture. Our culture is the real status quo, the actual law 
of the land. It rules us from our subconscious minds, beyond the reach 
of our deliberative processes. Since we cannot, in the final analysis, 
prove anything at all, it is by default that the values, the 
unquestioned assumptions, which reside in the subconscious mind, form 
our foundation.
    Furthermore, while our own experiences are unique to each of us, 
it is our culturally/ linguistically created experiences that we share 
as a group. To be a part of the group, one must adopt the group’s 
consensus experience as one’s own. To be conventionally understood, 
one must speak the mother tongue.
    Similar to an iceberg. the preponderance of the import of language 
occurs beneath the surface of awareness. One must consider the role of 
the subconscious mind in order to grasp the true function of language. 
Language is based on sound, sound made with the human voice. The 
sounds we produce vocally communicate our emotional conditions.    
    
When we vibrate that part of our body, specifically evolved as a 
vibration-making apparatus, (their vocal apparatuses), we show others 
what is going on with us, we cause others specialized 
vibration-receiving body parts, (the auditory apparatus), to vibrate 
in kind. The motion of the auditory apparatus mimics the motion of the 
vocal apparatus. After being vibrated by an other’s voice, we are able 
to reproduce those vocal sounds.
    When we hear someone speak, at the same time that we are trying to 
understand what is being said, (what is meant by any particular 
words), our emotions/feelings are being informed by the effects on us 
of the sounds of the words we hear. We do not need to consciously try 
to apprehend the meanings/ effects of the vocal sounds themselves to 
perceive them. The meanings are the affects on us of the sounds. We do 
need to consciously try to understand the meanings/referential 
functions, of the words. Because of that, the focus of our conscious 
attention is removed from the effect of our vocal sounds and placed 
upon the relationship between the words and the things they signify. 
That type of meaning is peculiar to each language and is not 
necessarily intuitive unless one has adopted the world-view of that 
language.
                                                    23

As for the demand that the claim that vocal sounds are communicative, be proven; there is not a demand for proof that facial expression and body posture in general are communicative. Why does no one dispute the second claim while establishment linguists deny that vocal sounds convey meaning? Is it because they are so caught up with considerations of the referential function of words that they cannot experience the effects on themselves of the sounds that make up the words? Does it not stand to reason that vocal sounds must affect us? Is it not true that everything that we perceive affects us and that it is precisely that effect which we perceive? Can there be perception without being affected? And the meaning of anything must, in the final analysis, be simply its effect within us. Though one may agree that we are affected by vocal sounds, one may not agree that we are affected emotionally by vocal sounds. We are accustomed to not reacting emotionally overtly to our vocal sounds. What is language doing to us, that we don’t know about? What do these sounds that come forth from our bodies mean? What does anything mean? Is finding what anything means the same as discovering how it affects us? Is the meaning the same as the emotional/body effect? Could it be anything other than that? How do we know how anything emotionally affects us? Do things affect us? Are we emotionally affected by the sounds we produce vocally? If so, how are we affected? Are we emotionally affected more strongly by the sounds we vocally produce or by the things in our environment? Where do emotional reactions come from; the conscious or the subconscious, or both?
    Do we obtain a sense of the meaning of a thing from deliberative 
thinking about it or from our subconscious reaction to our mental 
process regarding it? Emotions well up from the depths of our occult 
minds. Once we become aware of our reactions to a thing, we can 
question the reason for the reaction and reinform ourselves about how 
the thing affects us. With new information, our emotional reaction 
changes. What do the very words we use to describe a thing to 
ourselves do to our sense of the meaning of the thing? When we compare 
the thing in question to other things not in question, we are not 
really discovering its meaning. We are rather, assuming that the 
meaning of the things we use to clarify the meaning of our subject, 
are themselves clearly meaningful. What if they are not? Is it 
possible for them to be not? The only thing in this scenario of which 
we do not question the meaning is the sounds of the words we use to 
refer to the things. And, we normally, do not even consider our vocal 
sounds to be meaningful.  Because their affect on us is through our 
subconscious, we are not aware of it and thus are affected more 
unalterably than if we were aware of the fact that we are being 
affected by the sounds of our words.
    Although logically, it is impossible for us to not be affected by 
our vocal sounds, we do not dwell on that phenomenon and do not 
consider it an issue of moment. Supposing we are affected by vocal 
sounds: what would that mean? Would our perception of the things we 
refer to verbally be influenced? Would our sense of the meaning of 
named things be determined by the vocal sounds we use to refer to 
those things?
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We all talk of culture. What do we mean by “culture”? In the New World Dictionary of the American Language, the definition number 6 of culture, is: ”The ideas, customs, skills, arts, etc. of a given people in a given period; civilization.” I define culture as, “The values/assumptions that are shared by the users/practitioners of any given language.”
    The history of the human race is basically, the record of 
intracultural and intercultural “chemistry”. We have been, for the 
most part, passive recipients of whatever paradigm was dealt us by our 
cultures. Like passengers on a great ship, our fates were sealed by 
the course charted in advance by the directives mandated by our 
culture. Wouldn’t we rather be active participants in shaping our 
destiny? We can be if we understand how culture works. It is a simple 
and natural phenomena, and although we created it, we do not 
understand it. Until we do, we will be incidental and directed actors 
in a script not of our choosing. Just as understanding our biology 
liberates us from the chains of previously immutable law, so too, 
knowing what culture is and consequently, how to alter it, will free 
us from the destiny of carrying out the plan set in motion by the 
emergence of language/culture.
    We will invest in becoming aware of our culture when we realize 
the necessity of
doing so. When we know that we cannot go on indefinitely with our 
current flight plan, unaware, on autopilot, we will look for a new 
understanding of our human behavior.
    Through the years, centuries and millennia, our culture has served 
us in whatever way it has, for better or for worse. It seems that we 
now need to acknowledge that we are, “up against it”, and that we need 
to change our ways. Before technology and industrialization, we did 
not feel the heat of our cultural impasse nearly as much as we now do. 
The power to alter our environment given to us by our technology has 
brought the issue of our inappropriate behavior to the forefront. The 
results of our cultural inadequacy is right in our faces. However, we 
have not yet, as a society, identified the source of our problem. We 
have not yet realized how we are possessed by our culture or even what 
culture is. We sometimes question why we act in ways so antithetical 
to our professed beliefs/values. We go to church on Sunday and are 
back in the lurch on Monday. Our saints and prophets tell us The Truth 
and we nod our heads in agreement. Yet we continue to behave as we 
have, in ways characteristic of our culture, not in ways 
representative of our professed beliefs and values. This contradiction 
and dissonance between what we believe consciously and what seems to 
be truly motivating our behavior is the cause of much confusion and 
angst. We are passive recipients of the hands dealt us by our culture 
not the masters of our destiny. Let us become conscious of the nature 
of the relationship between ourselves and our culture.
    How can any of us experience the effect on our emotions of the 
vocal sounds we utter/hear? I accomplished that by saying the sounds 
of our language, using the alphabet as a sequential guide, and 
sensitizing myself to the emotional effect of each sound in turn.
                                                    25

Our progenitors used to live in whatever shelters, such as caves or rock overhangs, they found already existing. Then they learned to make shelters where and when they wished. We have, until now, lived within and according to whatever culture in which we happened to be born. We can now attempt to make our culture one that instills in us the values we consciously hold, rather than the values we inherited from our distant ancestors.
    When I was in school, I was taught that culture is things like 
classical music, opera, the fine arts, classic literature and theater. 
I sensed that culture was far deeper than that, that culture existed 
in each of us, deeply ingrained in our minds. Not until I discovered 
the mechanics of language did I clearly realize what culture is, what 
it does to us and how it does it.
    Before I discovered how language works, I did not understand what 
culture is. The two, language and culture, are identical twins, each 
with a different name and apparent mission but with the same dna. 
Culture is an abstraction and language is the physical mechanism from 
whence it springs. Language uses emotionally evocative sounds to 
represent things, thereby suggesting the meanings of those things. The 
sense of the meaning of things derived from words, accompanied by our 
sense of self identity, directs us as to how to behave in relation to 
those things. The values etched in our culture by language long ago 
are instilled in us and direct our behavior today.
    A body continues in its state of motion unless it is acted on by 
an outside force. Human culture remains fundamentally unchanged unless 
it is changed by those who sense a need to change it.
    The subconscious mind is where culture resides within us. Culture 
resides without us in language. Culture remains unexamined and 
unchanged within the subconscious mind until we see a need to change 
it. Many others have spoken about the need to change the way we, as a 
society, think: some have tried, by using means, such as meditation, 
sleep deprivation, psychoactive substances and chanting to accomplish 
this change and have been more or less able to do so for themselves. 
However, it seems they were not able to lastingly infuse society at 
large with their newly found vision, due to not addressing this issue 
from the root. One must understand a process before one can 
intentionally and deliberately alter it. Understanding the “nuts and 
bolts” of language makes it possible to change our culture.
    The idea that we are strongly influenced by a force invisible to 
us is strange and tends to be unsettling. The glue that binds us 
together as a society is so much an ingrained part of our lives, that 
we do not perceive it as a force. It operates automatically and 
therefore requires no attention in order to function as the organizing 
premise of society. The question of whether we approve of its values 
almost never arises. Rather, we act as automatons, driven by the 
invisible program instilled in us with the learning of our language. 
Just as features of our physical bodies evolve by natural processes, 
so culture evolves by natural processes without our conscious 
collaboration. Culture has served us tolerably well through most of 
our species’ history. However, since the emergence of
                                                    26

mechanization, the contradictions between our professed values and our way of life have become increasingly obvious. This is due to the magnifying effect of technology on the impact of human actions. What we do today affects our shared environment far more than our actions did prior to industrial technology, while our culture is basically the same as it was then, before industrialization. This forces upon us the issue of the correctness of the values that underlie our assumptions about the nature of reality. We can no longer afford to forge ahead with no awareness of the reasons for our choices.
    The tension caused by the contradiction between our professed 
beliefs and the beliefs implied/expressed by our actions is caused by 
the isolation from our conscious apprehension of the source of the 
values or even of the values that drive our actions. Our conscious 
beliefs derive from our intellectual workings while our actions are 
driven by our cultural conditioning, which resides in our subconscious 
minds. We all have different beliefs, depending on what mental roads 
we have traveled and we who share a given language, all have the same 
underlying, subliminal values. How we translate these common values 
into actions depends on our perception of what character we are, in 
the script of our society. In the script we are born into, we act the 
role we see ourselves as plausibly and convincingly being able to 
play. One’s assumed role in society must seem plausible to one given 
one’s assessment of oneself.
    Our understanding of culture is vastly more incomplete than is our 
understanding of mathematics, physics, astronomy, biology or even 
psychology and sociology.  The radio-telescope, electron microscope 
and other information gathering tools continue to enable us to 
conceive of that which we previously could grasp only metaphysically. 
We can likewise increase our awareness of the machinations of human 
culture by focusing our attention on it and bringing to bear, in our 
quest for understanding, whatever relevant knowledge we may have. If 
we widely saw that culture impacts our everyday life to the extent to 
which it does, we would feel a powerful motivation to discover its 
inner workings. Language is the body whose physics we must comprehend 
in order to understand the workings of culture.
    The vocal sounds our pre-linguistic progenitors made conveyed 
feeling and emotion. We still make sounds and they convey feeling and 
emotion now as they did then. Using them as words, to refer to things, 
does not cause them to cease conveying emotion. The stronger affect on 
us of the sounds of words than the effect on us of the things which 
words label, the consensus regarding the meaning of things that words 
provide members of a group who speak a common language and a constancy 
of  the sense of the meanings of things we name, all contribute to our 
subconscious acceptance of the affects on us of the sounds of words as 
representing the affects on us of  the things which words represent. 
When we use words, we feel we have a sort of firsthand experience with 
the things named. This experience with the verbal representation of 
things named provides us with a sense of their meaning. The sound, 
which is rich with emotional affect, by default, informs us of the 
emotion associated with the thing. We associate the sound of a word 
for a thing with the thing; so we associate the effect of the sound as 
a thing, with the effect of the thing, for it is
                                                    27

the effect of a thing and only the effect of a thing that lets us know that the thing is there and what it means. We have nothing else common, constant, and which affects us more strongly when the named thing itself is not there in front of us, and even when it is, than the sounds of words, (the sounds of our voice). The affects on us of the sounds of our own voice takes the place of the affects on us of the things themselves. We make our world familiar and handleable by using our bodily sounds to represent the things we encounter. We intuitively understand the meanings/effects of our vocal sounds while we do not as readily understand the affects on us of the things in our world. Our vocal sounds are of by and for us while the world-out-there is much less familiar and more difficult to relate to intuitively.
    The sounds that a musical instrument makes are a result of the 
materials and construction of the instrument. When something vibrates, 
it  makes sounds according to its physical structure. Whatever is 
doing the vibrating is what sounds. Mothers sing sweet lullabies to 
babies, not pirate drinking songs. Why? Because the sounds the mother 
makes cause the baby to vibrate in a similar manner. Entrainment is a 
word that may be used to describe this phenomena. There is the driver 
and the driven. The mother is the driver and the baby is the driven. 
The mother establishes a pattern of motion and the baby assumes motion 
in that pattern. If one wishes to calm another, one speaks calmly. 
Elemental states are being transmitted/communicated by the mother to 
the baby. Are elemental states communicated by phonemes? Is there a 
relationship between the vocal sounds we make and our emotive/feeling 
states? Do our vocal sounds correlate to our feelings/emotions?  Are 
vocal sounds meaningful? Do they cause an effect in us? As a form of 
body language, are vocal sounds meaningful, as facial expressions are 
meaningful?
    
    All animals that breathe make sounds when they breathe. The air 
passing into and out of the body makes sounds and those sounds are 
formed and shaped by whatever the condition of the body is. Think of 
The Star Wars character, Darth Vader, as he breathes. How 
communicative is the way he breathes! One may ask how does the sound 
of breathing communicate and what does it communicate? If simply 
breathing communicates, then does vocalizing communicate? Do the 
sounds that we produce, in order to form our words, communicate? If 
they do, then what is it that they communicate? There are some vocal 
sounds to which one may feel a reaction, such as the sound of the 
letter, “R”, or that of the “M”, or the “A”, or “E”, etc.. Are any 
vocal sounds meaningful to you?
     Supposing that all the sounds we make communicate; would our 
feelings about a thing be affected by what the sounds we use to refer 
to it communicate to us? Many linguists and others maintain that the 
sounds we make when we speak, in and of themselves, have no meaning. 
By saying that they have no meaning one is holding that they do not 
communicate. But if Darth Vader’s breathing communicates, which it 
obviously does, then even breathing is meaningful, its meaning being 
the affect it causes in us. One may say that the affect on us of the 
sounds of breathing is an emotional affect and therefore has no 
meaning per se. At this point one would be separating the concept of 
emotional affect from the concept of meaning. If emotional affect is 
not meaningful, what
                                                    28

is? One may say that the meanings of words are the things to which they refer. If this were true, we would have no clue of the meaning of any thing. We would know what the sounds of the words mean in terms of the things but we would have no sense of what the things mean. We need to know what the things mean: we already subconsciously know what the sounds of the words mean. And, can a sound mean a thing? Or does a sound have meaning of its own? Does the thing have meaning of its own? It seems likely that vocal sounds have effects/meanings and it seems questionable that things have particular meanings. After all, it is how any thing affects us that is its meaning. The way a thing affects us changes through time and is different for different folks, whereas the affects on us of the sounds of our own voices is the same through time and for all of us. However, if on the other hand, we derive our sense of the meaning of a thing from the sounds of the word for it, we do have a definite sense of its meaning because we are naturally affected emotionally by those sounds.
     On one hand, we are affected deeply by the sounds made by our 
bodies and on the other hand, we are not consistently and uniformly 
affected by the things that make up our world. When the two things are 
associated with one another, the one with the strongest 
affect-pressure defines the one with the lesser affect-pressure.
    No one that I have spoken with about the subject maintains that 
the sounds we make with our voices are non-communicative. Rather, 
people commonly report that they feel clearly affected in particular 
ways by different vocal sounds and a thread of commonality runs 
through their reports. So, if we know that we are affected by our 
voice sounds, why do we deny that  we may be affected by the sounds of 
our words and that how we are  affected by the sounds of our words may 
influence our perceptions of the things we name?´
    
    There are conscious processes and subconscious processes And 
processes can migrate from one realm to the other. Driving a car or 
playing a piano are examples. When we talk, we are conscious of the 
things we are talking about. When we vocalize non-verbally, we are 
conscious of the sounds of our voice and, if we are on the lookout for 
it, we may be aware of the effects on us of those sounds.
    What we suppose to be the reasons why we act as we do may not be 
the real or sole reasons. The quest for psychological self-discovery 
is about becoming aware of the real reasons for our behavior. Many of 
us use our rational minds to create plausible explanations for our 
behavior. Some of us who are more dedicated to the truth of the matter 
rather than to simply defending whatever we may do, use the rational 
mind to examine our behavior in the light of understanding. In the 
ultimate shakedown, do we really know why we do what we do? Can we 
prove it to anyone else: can we prove it to ourselves? Looking at what 
influences us seems to be useful in ascertaining exactly what 
motivates us. Since we are all about survival, whatever affects our 
survivability, obviously affects our behavior. Our relationship with 
our caregivers, if we are dependent on another, with our employer, if 
we are working for someone else, with the legal
                                                    29

structures, if we live in civilization, with our perception of the affect on us of our actions, whether that perception is conscious or subconscious, and with our sense of morality, if we are so disposed, are all important to us. Whatever bears on our survival and metasurvival influences our behavior. How do we ascertain the affects on us, (the meanings of), the myriad of things that make up our world? It is impossible to think our way through the question of how we will be affected by all the various choices we may make, as a chess player attempts to do. We would need to know the ultimate affect on us of all things and all actions relative to those things. This is not possible, at least for now. In the absence of any definitive proof of the meaning of anything, we feel the need to know what exactly things are, what each thing is. The final word on this issue is THE WORD itself. The word for a thing is what we have to go on for sensing what the thing means to us. Since the effect on us of a thing and the meaning for us of that thing are one and the same, and since the actual sound of the word affects us deeply, reliably and in the same way as it affects everyone else, we lean on this word-sound-affect thingy to inform us of what any particular thing means for us. It is the collection of word sounds called language that creates human culture. We have a world full of things, of which we know naught; and we have sounds we make with our body, the affects of which we experience subconsciously.
    Spoken language tends to be quite stable through time and hence, 
culture is likewise stable.
    We can sense the meaning of things only in those ways that we can 
be affected by things. In order to sense, one must be affected. If one 
is not affected, one does not sense. In how many different ways can 
one be affected by things? How would we determine that?  In how many 
different ways can we be affected by the sounds we make with our 
voice? How would we determine that? The way we are affected by things 
is different with different people and at different times with each 
person. The ways we are affected by our voices is the same for all 
people and at all times with each person. The effects on us of our 
voices is the currency we use in order to determine the effects on os 
of all other things. As we are affected by the sounds of any given 
word for any given thing is how we assume we are affected by that 
thing. The word acts as a kind of magical window through which we peer 
in order to seemingly gain a glimpse of the true nature of whatever it 
is we are considering. When we consider a thing, we have the thing 
itself in front of us. It is alien to us. It does not talk. It does 
not tell us what it is. It just exists mysteriously. However, we do 
have the word for the thing. The word speaks to us in our own 
language. It moves us literally with the motions of our bodies. And we 
are affected deeply by its presence. Which one informs us of the 
affect on us of any given thing, the thing itself or the word for the 
thing? The word is the handle we use to get a feeling of the meaning 
of the thing. We derive a sense of the meaning of any thing by hearing 
the word for that thing.
    This sense of meaning we acquire from our language is not based on 
absolute knowledge of the ultimate affect on we humans of any thing. 
It is a product of our own particular language and different from the 
sense one acquires from using another language.
                                                                       
                                                                       
           30
    So, what does this matter? If our only sense of the meanings of 
things derives from our language, then what we subliminally assume to 
be the givens of our world are bestowed upon us, as a people, by our 
language. This sense of what our world means informs our decisions, be 
they consciously or subconsciously motivated, for underlying all 
conscious considerations is whatever resides in our subconscious. The 
contents of the subconscious sends compelling feelings and emotions 
which drive behavior, behavior which we rationalize by explaining why 
we do what we do.  If one disobeys the emotional promptings/demands of 
one’s subconscious, one experiences a sense of disassociation and 
consequently anxiety. Anxiety is disabling and we strongly tend to 
avoid it. Therefore, we are held hostage by the contents of our 
subconscious minds. Our culture, which is the product of our language, 
is the most influential factor among those that contribute to the 
values we have stored beneath the surface of our awarenesses.
    We humans live in a sea of mystery. Non-cognitive creatures are 
informed of the import of the varied situations they encounter by 
their instincts, whereas we are mainly informed by culture. This 
provides us with greater adaptability and also creates the risk of us 
“falling off the apple cart” of the sense of knowing provided by 
culture. Culture is somewhat like an overcoat which we can remove, and 
instincts are more like fur, (permanent). If we remove our cultural 
coat we are then without our familiar input of information as to the 
meanings of the things that make up our world. Without our common 
culture, (a product of our common language), we have only our 
individual experiences, and nothing to provide a basis for society. 
Nonverbal species have instincts to guide their social behavior. 
Humans have culture. Xenophobia is a result of identification with the 
familiar. In the hustle and bustle of everyday life, most humans have 
little time to question and to seek answers. We are geared up for a 
competitive, rat-racy way of life, in which “wars and rumors of war” 
are commonplace. We simply absorb our culture and then act out our 
role in it.
                               How Do We Know Anything?

We know when we need to pee. We know when we are hungry, tired or attracted to a potential mate. How do we know these fundamental things? We FEEL them. We don’t wonder if they are true or ponder how we know them. We just know. How could we prove that any of the things that we feel actually exist? We would not be able to prove their existence or the existence of any other given. We go by what is there. Our feelings inform us of how we are affected by whatever it is that is there that affects us. The subconscious rational mind accepts our feelings as givens and operates according to them as starting premises.
    While our beliefs are in relation to our feelings, also our 
feelings are in relation to our beliefs. That is why we, as humans, 
are capable of heinous acts, acts that a non-idological person would 
recoil from. Whatever beliefs we adopt are part of the lens through 
which we gaze when we interpret more primary things. If we dare to 
abandon our beliefs and to simply allow ourselves to perceive our 
world as it is, without being interpreted according to beliefs, we 
then feel it as it is. If we realize that we really do not know what 
anything means separate from how we feel it is, that its ultimate 
meaning is a mystery, then we are able to perceive it without the 
intermediation of our
                                                    31

cultural conditioning.
Since we react emotionally to the emotive processes of others, to the sights and sounds of others’ emotional goings-on, the sounds of others’ words, as well as the sounds of our own words, affect us emotionally. We are affected by human vocal sounds as sounds separate from words and as components of words. When we use vocal sounds as words, the affects on us of the sounds stand as representing the affects on us of the things which we label with those words. The affect on us of the sounds of the word, “walrus”, is accepted by us as revealing the affect on us of the thing, “walrus”. The effect of the word replaces the effect of the thing; the material is superseded by the abstract; the map replaces the territory. In this way, we become creatures of our culture. Spoken language uses emotional feelings to represent the various things in our world.
    Ever since language started, it has been informing us of how we 
are affected by things. This process of informing has taken place and 
continues to take place without our awareness. Among our distant 
forebears, those who realized that they uttered particular sounds in 
reaction to the presence of particular stimuli began the use of vocal 
sounds as words, thereby initiating culture. The vocal sounds that 
were initially emotional utterances, became tools with which to refer 
to things no matter whether those things were present at the time of 
the use of the word or not. Using vocal sounds to refer to or to bring 
to mind the things which they were uttered in reaction to, left 
unaltered the relationship between the vocal sounds and the 
emotions/feelings they expressed. Using vocal sounds as words 
perpetuated the way of perceiving those things that was extant at the 
time of the transition between the use of vocal sounds as expressions 
of emotions and using vocal sounds as referential tools, (words). Once 
those reactive emotional sounds became words, that way of reacting to 
those things was effectively frozen in time. All those subsequently 
born in that society had to learn those words and therefore 
experienced those reactions to those things.
                   The culture made us do it.

In order to know why humans behave as they do, we must know about culture. And in order to know about culture, we must know about language. We must know how language creates culture and how culture informs our behavior.
    Ordinarily we are aware that language is used to refer to things, 
things that already exist. We say that a particular word means a 
particular thing, that the meaning of any word is the thing to which 
it refers. We do not recognize that the sounds of words affect us. 
When we simply vocalize, we more readily notice that our sounds 
represent emotions/feelings. When we utter words with the same vocal 
sounds we associated with feelings when voiced not as words, we are 
not aware of any association of our sounds with our feelings. Why is 
that? If vocal sounds affect us emotionally when uttered simply as 
sounds, then could they cease to affect us that way when used as 
words? Perhaps, when we verbalize, we are preoccupied with that to 
which words refer and therefore lose our focus on the sound of the 
word as an effect-producing stimulus. If we are emotionally affected 
by the sounds of our words, how then is our perception of the things 
to which we refer with our
                                                    32

words affected by the emotional effect of words?

    Our actions program our minds.

In the absence of conclusive knowledge of the meaning of our world, any clue we receive is embraced by us as a message in a bottle is by castaways.
    Our vocal sounds reveal our emotional condition just as our bowel 
sounds reveal our gastronomical goings on.
    If we accept the idea that our voice expresses our 
feelings/emotions, then exactly what feelings/emotions are expressed 
by what vocal sounds?
    In order for us to be conscious of that which our voice expresses, 
we must receive that expression: If we did not receive it, we would 
not be aware that it expresses anything.
    In order to perceive, we must be affected: In order to be 
affected, a change must occur. It is the affect on us of that change, 
that we accept as being the meaning of the thing that changed us. The 
sounds of our words affect us more consistently and universally than 
do the things to which they refer.
    Language is a system of assigning meaning to things.

Think of the unspoken prohibition against vocalizing nonverbally in public. The only forum where doing so is somewhat acceptable is in certain churches where it is labeled, “talking in tongues”, and thought of by its practitioners as being divinely inspired, and therefore, sanctified, and when done by scat singers. That shows that we feel a need to explain and permit nonverbal vocalizing. And even within that context, glossolalia is thought of as being weird by most. How uncomfortable would most of us become if, in our immediate presence, someone we did not know well commenced vocalizing non-verbally. In polite society, speaking is reserved for the practice of formalized language in order to preserve our sense of the meanings of things. One would be feared and ostracized for crossing the line that defines the frontiers of normal speech. I am not referring to what we say about whatever subject which we may be discussing, but only to whether the sounds we make with our voice constitute normal identifiable words and syntax.
    In the rush and shuffle of daily human life, what we hold true as 
our highest values are often left by the wayside and our decisions are 
informed by the underlying values of our culture.
    There is a rift between what we want to think of as our motivating 
principles and what the real driving assumptions/givens that govern 
our decisions are. We have a starting set of what-ises that we acquire 
from our culture/language, and then some of us, the questioning, 
seeking ones, acquire a
                                                    33

consciously/deliberately acquired set of guiding principles which we identify with. We, who are not in harmony with the mass view of what it is that is, look for support for our own view. We find religion, books, music and art, which resonates with our deliberate identity in order to support our more humanitarian, more well thought out perspective. What brought about the mass culture that many of the more thoughtful of us recoil from? If the mass culture is so odious to so many of our best minds, then why is it predominant? Why is it there at all? Whence does it come?
    Obviously, we can and do disagree with one another on the meaning 
of this or of that, but we agree on the words for those things. We all 
adhere carefully to the vocabulary of our language, our “mother 
tongue”. When all is said and done, it is the sounds of our words 
which have the “final word” on how we perceive the effects of things, 
and therefore on what things seem to mean.
    We all experience our nonverbal environment as individuals, each 
in our own way, while all of us who speak any particular language, 
experience our linguistic environment similarly. When we relate to the 
world through our words, we eliminate individual differences of how we 
perceive things since we all perceive the sounds of our words in much 
the same way. Our vocal sounds are of, by and for us. We intuitively 
“grok” the meaning of vocal utterances due to our being affected 
primally by those sounds. Without language, how we would react to 
things external to us would depend on our own unique experiences with 
those things, while our reactions to our own vocal sounds is central 
to our emotional structure and are not dependent upon our individual 
experiences with the things they represent. If we were to hear an 
unfamiliar language being spoken, we would react to the vocal sounds 
without knowing what the words refer to. When we hear a known 
language, we react to the sounds as well and then also to our thoughts 
of the things referred to by those sounds.  Each individual’s reaction 
to the thoughts of the things referred to is unique while each 
person’s reaction to the sounds of words is much closer to being 
identical.
    
    Language tells us what things are. It does this by giving us 
something that affects us deeply, (the sounds of the names for 
things), to represent things that do not affect us consistently nearly 
as deeply.
    While it is true that everything we perceive affects us, things we 
resonate with more, in this case, sounds we make with our voices,  
affect us more than things less relevant to us.
    With words, we have the abstract concept of the affect on us of 
the things to which words refers, and we have the physical, tactile, 
visceral affects on us of the sounds of the words. Which one is more 
informative as to the affects on us of the named things? If we find 
something just lying on the ground, something we have never seen 
before and the function of it is not apparent, we typically would ask 
someone, “What is this thing?” Whereupon, if they knew, they would 
mention its name and then perhaps describe its function. Upon hearing 
its name, we derive a sense of what it IS, even if the name is totally 
unfamiliar. The description of its function adds to our sense of 
knowing what it is.  Somehow, the sounds we produce with our voice and 
receive with our ears
                                                    34

provide us with information of the nature of a previously mysterious thing. Without the name for it, we seem to be unsure of what it is. But after we hear its tag, its vocal representative, we feel that we have the official word on its nature. If it has a name, it must be included within the circle of the known, the familiar.
    We acquire a sense of the meanings of things by some sort of 
experience with them. Firsthand experience with things is unique to 
each of us and is not reliably the same each time we encounter those 
things.   We are already intimately familiar with the sounds of our 
words. They are the sounds we voiced since before we were toddlers, at 
which time we experienced more fully the emotional-feeling effects of 
our vocalizations. Once we began using our vocal sounds as labels for 
things out there in our environment, we ceased paying attention to the 
affects on us of the vocal sounds and started paying attention to the 
logic of the relationships between and among the things to which we 
were referring. In that way, our focus and awareness was redirected 
from the concrete to the seemingly, though not actually, abstract. 
Once we crossed that Rubicon from tactile experience of things to 
tactile experience of words, we continued to be affected, as we were 
before, by the sounds of our vocalizations, but subliminally affected 
rather than consciously affected. At that juncture, we became cultural 
beings, affected from our subconscious.
    Throughout our species’ journey from acultural beings, who used 
vocalizations only to express instant emotional states, to modern 
civilized humans, who use vocal sounds as words to make every 
important decision, and most others, (ever since we began using 
words), we have been creatures of our culture. In order to perceive 
our real world we need to free ourselves from that bondage. We must 
not continue to be passive passengers on a doomed ship, but rather we 
must storm the wheel-house and take charge from the robotic, 
indifferent captain, “Captain Culture”.
    
    Our culture, along with all the major cultures of this world, 
embraces war as a solution to human conflict. As long as we consider 
war to be a viable, acceptable way to deal with problems, we are on a 
path to self-destruction. The assumption of the acceptability of war 
puts us into a mode in which any sort of action, no matter how 
environmentally of socially destructive, is justified by the premise 
that it is necessary for our survival. The destruction of other human 
beings becomes rationalizable when our own survival seems to be in the 
balance. We must create a culture in which getting along with each 
other is more important than having things our own way. We are not 
living in an ecologically sound way because to do so as a society 
requires a world free from the threat of war. When war is included in 
the picture as a possibility, anything goes because our immediate 
survival is threatened.
    My goal is to help to create culture which fosters appreciation, 
cooperation and peace.
    What started out as sounds made by the body, as a consequence of 
breathing through a throat, the emotional condition of which modulated 
the sounds produced, later became a relatively complex system of 
communicating the emotional goings-on of social species and then evolved
                                                    35

into a system of deliberately bringing to mind things whether present or not and finally into a formalized system of recording these sounds through writing. We all know that our vocal sounds, when words, refer to things, ideas, feelings, concepts, etc., all of which are referred to as “things” by linguists and philosophers. Anything identified as existing separately from all the other separable things is thought of as a “thing”. There is nothing that is not a thing, or so the analytical process seems to reveal. What we don’t know is that the primal building blocks of words, the individual vocal sounds which make them up, each resonate with a distinct and particular emotion-feeling. It was precisely because of this connection between vocal sounds and emotions that species evolved their ability to vocalize in the varied and highly developed way that they do. If vocal sounds were not evocative of emotional reaction, they would not be communicative and therefore would be useless. Simply because our attention has been redirected from the emotional effect of vocal communication to the referential, denotative role, we have not ceased being affected emotionally by our vocal sounds. We are not supposed to make our decisions based on the emotional effects of our utterances but rather on the strength of the consideration of that which is signified by them. Of course, we are affected emotionally by our utterances on the primal level as sounds, and, since we do not consciously grapple with that emotional effect, we are influenced by it from where it resides, our subconscious. Because it comes to us from beneath the surface of awareness, we are affected by it without the chance to examine and dialog with it. This information, passed along to us by our predecessors, is our culture. The distillation of the interaction with the world, of those who experienced it before we were here, as represented by our language, is the core of our cultural heritage. It is the primary d.n.a. from which all our social institutions are formed. It is primal: it is simple: it influences us from the subconscious and therefore is out of reach of examining and/or questioning.
    Does ragged sound like what it signifies? Does smooth sound like 
what it signifies? How about “huge” and  “tiny”, “loud” and “soft”, 
“bright” and “dim”?  Those who maintain that there is no connection 
between the sounds that make up words and their meanings must be not 
only deaf but also blind. If we admit that vocal sounds exert 
emotional affect then wouldn’t it stand to reason that we would use 
sounds that were somehow related to the things to which they refer, 
rather than sounds that were not related? Then the question arises, 
“How can a vocal sound be related to a thing?” In order to comprehend 
this relationship, let us consider that we are affected by all things 
that we perceive. Every thing perceived affects the perceiver. Without 
affect there is no perception. In order for perception to happen, 
there must be a change wrought in the perceiver. Something must be 
sensed. Our senses work by comparing one state to another. If there is 
no change, there is nothing to compare with. It is the change that is 
perceived. How something affects us is what we perceive it to be. It 
is the affect that we perceive. How something affects us is its meaning.
    Knowing this, it makes sense that we would tend to make vocal 
sounds related to the way we are affected by whatever is affecting us. 
These reactive sounds, at first uttered, driven by emotion, later 
become words, words which we learn as babies. This is how we learn our 
culture.
                                                    36

The transition between emotionally driven vocal utterances and words happened when protopeople became aware that they were vocalizing in a certain way in relation to a particular thing/stimulus. Once they knew that, they could manipulate their mental process by uttering the sound associated with a thing in order to bring the thing to mind whether it was there or not. Their vocal reactions became institutionalized as referential symbols. This formalization and standardization of the relationship between emotions and things was the inception of culture. Ever since that crucial event, we humans have been relating to our world through the guidance of spoken language, thereby receiving information as to the meaning of our world as a consequence of our practice of language.
    I have heard many multilingual people report that  their feeling 
and thinking changes with the language they are using. This phenomenon 
shows that our perception of reality changes with our language. The 
sounds we use to refer to things suggests to us what those things are.
    When trying to figure out how language works, we typically 
consider the tangible sounds of the words and the tangible things to 
which the words refer. Consequently, we look for a relationship 
between the two and conclude that there is none and therefore that 
there is no connection between sound and meaning. The missing third 
element in this consideration is the consideration of the way we are 
affected by our vocal utterances. If we accept that we are affected by 
the sounds we make vocally, - an idea not so far-fetched -, we can 
comprehend that the relationship between our utterances and our 
emotions/feelings is primary and that the relationship between our 
words and the things to which they refer is secondary. This harmonizes 
with the fact that the use of vocalizations for emotional expression 
is primary and the use of vocalizations for referring to things is 
secondary.
    We are not supposed, by those who wish to perpetuate the status 
quo, to break free from the adherence to the association of the 
utterances of our language with the things to which we refer to with 
those sounds.  The rules of social behavior prohibit babbling. We feel 
uncomfortable if people simply make nonverbal sounds. It disorients 
us. We experience the loss of the function of language as a 
familiarizing tool. What we felt as a reliable proclamation of the 
meaning of all things named, is revealed as merely sounds that anyone 
can make and remake as they desire.  Some are horrified by that 
vision; some are liberated. Our native language is not the final word 
regarding the nature of our world, but rather one story among others.
    
    Abstract reasoning must ultimately be connected to material, 
physical experience. Firsthand experience is the raw material, the 
grist for the mill of thought. Somewhere, “the rubber must meet the 
road”. Spoken language is that place where we, as cultural beings, 
experience our visceral connection to our world.  All those who speak 
the same language can connect similarly, via their language, to their 
world. In that way, they experience a shared world-view. The vocal 
sounds of language are emotionally affective and because of that, 
provide us with a sense of the affect on us of the things we refer to 
with our words. The relationship between the feelings of our vocal 
sounds and our things is the foundation upon which culture rests.
                                                    37

Experiencing the effects on one of vocal sounds, seems to facilitate the realization that one is, in fact, affected by them. This is not surprising. We relate best to that which we physically experience compared to that which we grasp only theoretically.
    We can more easily experience the emotional-feeling effects of 
vocal sounds if we experience them separate from words. Saying out 
loud the sound of a word over and over many times, seems to reveal the 
visceral effect of the sound of that word. This over and over 
repeating tends to strip words of their referential function and to 
reveal to our conscious minds how we are affected by them simply as 
vocal utterances. Furthermore, uttering vocal sounds which are not 
recognizable words is more revealing of the effects on us of the 
sounds than is uttering words that we know. If we are not busy 
processing the sounds as words, (sounds that refer to things), we tend 
to more easily notice the emotional-feeling affects on us of the 
sounds themselves. There are some vocal utterances that we commonly 
recognize as having a feeling affect. Examples of these vocal sounds 
are the sounds of the letters r, m, and e. Although we may not be 
aware of the affect on us of a stimulus, we know that we are affected 
by anything that we perceive. In order to perceive, we must be 
affected by that which we perceive. Abstract visual art, music and 
dance are appreciated because of the effect they create within us. 
Some may say they are unaffected by any of those forms of expression. 
Some claim to be unmoved by anything. One must be able to resonate 
with a thing in order to perceive it. The tuner of a radio must 
resonate at whatever frequency a signal is being broadcast in order to 
receive it. If one attempts to relate wholly abstractly one tends to 
lose one’s connection to one’s own feelings, and consequently loses a 
sense of the meaning of what they experience. The analytical mind 
works with the raw material of visceral experience. The givens we 
accept as “just being”, are the assumptions upon which we base our 
assessment of what things mean to us. If we accept nothing as given, 
we have no basis for action. The meaning of things cannot be figured 
out “objectively”. We can think about something till we’re blue in the 
face and still not arrive any closer to a final understanding of its 
meaning. At some point, one must simply go with what seems to work. In 
the context of this absence of any provable meaning of things, our 
spoken language supplies us with a sense of how we are affected by 
whatever we have a word for. The feeling effects of words as sounds 
informs us subliminally of their meanings and consequently of the 
effects/meanings of those things to which they refer.
    
    We must accept our culture as the valuable asset that it is, the 
valuable and precious treasure bestowed on us by our predecessors; but 
not be content with it. Rather, we must use it as a launching pad for 
our next adventure in our awareness building and bravely create a 
culture deliberately, knowing how culture functions. Up until now, we 
have had to accept the culture we were born into; but now we can make 
a culture to suit our specifications. Just knowing how culture works 
will go far in the liberation of our emotions and awareness. Knowing 
how incomplete our coping skills are, we must also add our 
contribution to that trove of treasure that is our culture.
    We really do not know what anything means. We can only contribute 
our best guess to the existing version of what it is all about, which 
is embodied by our culture.
                                                    38

With spoken language, we are using body language to refer to, (to represent), things. Often, the uttered word is the only physical connection we have to the things of which we speak. The spoken word is also the only shared physical connection we have to the thing and, unlike our direct relationship with the thing, is constant through time. With spoken language we are using “pieces of ourselves”, (emotionally-evocative sounds of our bodies), to represent the things of our world. By doing this, we make the world seem familiar, predictable and understandable.
    Body language communicates goings-on of the body. The use of 
existing body language capabilities for referring to things happened 
long after body language’s inception. Vocal capability evolved prior 
to its being used as words to represent the things of our world. Many 
species communicate vocally: how many verbalize? It takes cognitive 
ability to use vocal utterances deliberately as words. The ability to 
vocalize is a prime requisite for the ability to verbalize.   
    
    To attribute humans’ untoward behavior to “human nature” is 
erroneous and tends to generate cynicism and apathy. If our problems 
are the result of our nature, then there is nothing we can do to fix 
them except to wage a never-ending battle against our own nature. That 
is a gloomy and unwinable mission. The fact is that our behavior is a 
result of our culture and there is something we can do to remedy it.
    If we accept the premise that we are naturally “selfish” and 
unmotivated by what is in the best interest of all of human society, 
and that war is inevitable, then all war-making and preparing for 
war-making becomes inevitable and, by necessity, acceptable. In that 
context, there is no way to protect ourselves from harm by either our 
own human hand or as a result of environmental destruction. When one’s 
life hangs in the balance, considerations of “the environment” become 
less important than moment-by-moment survival. Who cares if we mess up 
the rain forest if we must, in order to out-produce those 
fill-in-the-blank people?! We must be able to live in peace with one 
another in order to survive as a species. Love is not an option, it is 
a necessity. We all believe in LOVE: We need to accept our spiritual 
beliefs as being actually true. It is because of the dissonance 
between our spiritual knowledge and our cultural program that we seem 
to be unable to act in accordance with that knowledge. What is in our 
conscious mind is conflicting with what is in our subconscious mind. 
The “Devil” is whispering in one ear while “God” is talking into the 
other ear.  Some of those who would rather join than fight seem to 
have accepted the premise that the whisperings of the subconscious are 
the words of either “God” or “the devil”, and that what we, 
conventionally, say we believe to be true, is wishfull thinking and 
deceptive. Those ones are easily led by charasmatics into heinous 
behavior.
    Although we can think of culture as prosthetic and separate from 
our body, we function with it as though it were part of our body. we 
must understand what culture is and how it works in order to 
understand human behavior.
    Ever since deliberate spoken language began, we have been informed 
by the emotional
                                                    39

reactions of our forebears. Our sense of how we are affected by whatever we talk about is established by the enshrined, petrified emotional reactions of those who instituted our language. When we understand how this informing process takes place, we will, naturally, be freed of it.
On Jul 21, 2010, at 1:54 AM, Carol Macdonald wrote:

Joseph
I think there is a problem with terminology. What you describe are sounds, not phonemes. Phonemes are specific to a language and each language has a
set of phonemes which form a system.  For example, in English, /p/ is
contrasted with /b/ meaning they help to contrast words e.g. "pig" vs.
"big". In Arabic this distinction does not hold.

By all means send me what you have, as we may be talking at cross purposes.
Carol

On 21 July 2010 10:33, Joseph Gilbert <joeg4us@roadrunner.com> wrote:

Carol

Are there no phonemes that you feel, or associate with a feeling? How about the sound of the "m"?: Or the "r"? Why does our alphabet begin with the
"a" sound and end with the"z" sound. Does the "a" suggest awakening,
(beholding something for the first time),? Does the "z" suggest sleeping? Why are the letters/sounds arranged in the sequence in which they are? When I experimented with this phenomenon be voicing the phonemes repeatedly, I
noticed that their sound generated, within my emotional body, distinct,
specific reactions/feelings. There is a connection between how we are
affected by our vocal sounds and how we use them to label things. If you
would like, I will email you more on this issue.

               Joseph


On Jul 21, 2010, at 12:20 AM, Carol Macdonald wrote:

 Joseph
We don't feel phonemes.  If we did, the whole field of phonology 
would be
rendered redundant. We, as linguists,  have to scour the evidence of
spoken
speech for the rules governing phonemes in any particular language.

In contrast, vocal speech, like groans, or for that matter groans of
delight, "um" to hold our turn in conversation (perhaps too) have meaning
in
themselves and we can identify these.

carol

On 20 July 2010 23:55, Joseph Gilbert <joeg4us@roadrunner.com> wrote:

 Dear David Kellogg:
Back to fundamentals: When you voice the phonemes, any of them, do you
feel
or does the sound suggest to you a feeling/emotion? If you were to
experience the effect of vocal sounds on your feeling/emotional state, it seems you would comprehend, in its most basic manifestation, how spoken language works. The foundation of spoken language is as simple and as primal as it can be; and that foundation must be understood clearly and
unequivocally in order to understand language at all. If one ignores
language's deepest structure, one will be sent on a "wild-goose-chase", fruitlessly and interminably pursuing all sorts of vague and pointless minutia of who said what when about what someone else said about this and that! Just start from the beginning with a fresh slate
with the knowledge that you, as an intelligent human being, can
understand
what is already there in front of you, staring you in the face. Truth
does
not hide from people, people hide from truth. When we no longer opt for
safe
ignorance and choose to look at what is there, we will then understand.
      Spoken language is first and foremost sound, sound make by the
body.
Sound made by the body is inherently expressive of what is happening in
that
body. The bodily happenings behind those body-made sounds are experienced
as
bodily happenings in those who perceive those sounds. This is how vocal
communication works. Verbal communication is a special case of vocal
communication, the only difference being that in the case of verbal
communication, we use inherently emotionally loaded, body-made sounds, to
refer to things external to us.
      So far, so good? Do I hear an "amen"?
      If you get to this point, the rest is easy sailing.

              Joseph Gilbert


On Jul 20, 2010, at 1:52 PM, David Kellogg wrote:

 Dear Joseph Gilbert:

There is a bookstore in Paris which played a much more important 
role in
my education than the university I nominally attended (from which I
never
graduated). The name of the bookstore is Joseph Gilbert.

This entirely defines the way I mentally pronounce your name: it is
pronounced the French way, stress on the last syllable, and the “-bert” rhymes with pear and ends in a Parisian growl; I can’t really think the
name
in any other way.

Now, this personal reaction is probably wrong, and more importantly, it
is
probably on this list entirely idiosyncratic; it is part of “theme”
rather
than “meaning”, of “sense” rather than “signification”, and “smysl”
rather
than “znachenie”. It is easy to trivialize it, and in fact Paulhan does
just
that when he remarks, in the paper “Qu’est-ce que la signification des
mots?” which so influenced Vygotsky, that he has a friend whose name
reminds
him of scrambled eggs, but this cannot be said to be the “meaning” of
the
word.

What I want to argue is that acts of thinking, including the teaching of concepts to children, are precisely idiosyncratic in this nature; the “thinking” part of word meaning, the generalizing part, the abstracting part, is precisely theme, not meaning, sense rather than signification,
and
smysl rather than znachenie.

My professor (because after I dropped out of university my education was taken in hand by people like Henry Widdowson and not simply bookstores
like
Joseph Gilbert) would say it is pragmatic and not semantic meaning, the
part
of meanng that must be endless compared with the world and endlessly
renegotiated, and not the part you look up in dictionaries and then
forget.
And it is from billions of such pragmatic acts that semantic meaning
really
arises and is codified sometime in the eighteenth century: not the other
way
around, which is the way we experience it today.

It seems to me that two points emerge from this, and one belongs to you and the other to Professor Kotik-Friedgut. The first is that it’s not
simply
the case that kids are somehow “more concrete” or “more inductive” than adults. If anything, kids tend to be MORE abstract, because they have
small
vocabularies (e.g. the verb “like”) and this constantly pushes them
towards
metonymy, metaphor, and polysemy. However, they are more inclined to
notice
and remember what I called (in an off-list letter to Carol) the SENSUOUS
aspects of communication, including the idiosyncratic elements of
pronunciation, facial expression, gesture, and contextual reference.
More on
this, with respect to the context-embeddedness of chimpanzees, from
Vygotsky
and Chapter Four of Thinking and Speech.

The second point is that the way in which sense is going to be actually,
physically, sensually stored in the brain (as opposed to the mind; I
think
that one thing we HAVE to accept if we accept Luria’s idea of an
inter-cortical mind is that the mind and the brain are NOT the
mind/brain)
consists of connections which will vary wildly. It will be more like the
way
in which information is stored on a hard drive in a computer before your
run
the defragmenter than the models we’ve been working with, which all
assume
that the brain is something like a suitcase or a large company: either
first
in last out, or first in first out. I think I might go even farther than Professor Kotik-Friedgut (though of course I lack her cred on this): I’m
not
even sure that the right hemisphere is always implicated in all
individuals.

In the first section of Chapter Four in Thinking and Speech, Vygotsky is responding the work of Yerkes. Yerkes was a very nasty piece of work; he
was
involved in research which led to the Army learning proficiency tests
(which
determined the recruits who were most suitable for clearing minefields), racial IQ, and so on, and so it is with some unease we look at his many
enthusiastic attempts to show that chimpanzees were capable of
“ideation”,
just like “negroes”.

Nevertheless, as Steve points out, Yerkes was the man to go to for
attempts to teach chimpanzees how to talk in those days (and for some
days
thereafter—von Glasersfeld and Savage-Rumbaugh, who eventually cracked
this
particular nut, named their first chimp language—Yerkish—after him). We
can
sum up this section, using Steve’s method, like so:

a) Vygotsky remarked that Yerkes attributes “ideation” to man by a
FUNCTIONAL ANALOGY between the apparently intelligent, imaginative
behavior
of apes (orangutans and chimpanzees) and similar behavior in man. Both
can
solve problems using simple tools and detours, ergo (reasons Yerkes)
both
can imagine solutions as workplans and carry them out. Vygotsky
criticized
this purely functional viewpoint, both because the analogy is coarse and because it is functionalist, but his method of criticism is to adopt it
and
then see where it leads.

b) This “ideation” is the NECESSARY AND SUFFICIENT criterion for
human-like speech, because the main purpose of speech is to imagine
solutions to problems as workplans and carry them out. Again, Vygotsky
criticized this idea of a single genetic root for speech (and an
idealistic
one at that) but his method of criticism is to adopt it and then see
where
it leads.

c) If, Vygotsky says, an ALTERNATIVE explanation for the apparently
intelligent and imaginative behavior of the ape can be found, that is,
an
explanation which does NOT involve mental representations, then the
argument
put forward by Yerkes will entirely lose its single foundation, which
was
that ideation exists in the ape and ideation is necessary and sufficient
for
speech. If an alternative explanation for the apparently intelligent and imaginative behavior does not include ideation, then even if a) and b)
are
true (which is very doubtful) there may be no human like speech in apes.
d) Alas, this alternative explanation DOES exist: it is in Kohler’s
observation that a good deal of the ape’s practical intelligence is a
purely
immediate, verbal intelligence, and it only operates when the solution
and
the problem are both present in the visual field. It's pretty clear (at least to me) how this might apply to teaching children: we are dealing
with
two very different systems when we talk about perceptual meaning and
when we
talk about semantic meaning, and the link between the two must be first
formed outside the child and only later internalized.

Of course, the experimentum crucis remains to be done. The experimentum crucis is, as Vygotsky says, to teach the chimpanzee a form of speech
that
does not involve vocal imitation, but which does involve ideation.

Today, this experiment HAS been done, and the result turns out to be
rather more interesting than even Vygotsky expected: chimpanzees DO
acquire
speech, including quite complex grammar (e.g. “Take the orange outside
and
give it an injection with a syringe and then place it in the potty.”)
But they do NOT do this in the wild, and they don’t even do it in
experiments dedicated to the direct teaching of language. They do it
when
they are raised in an “zone of proximal development” in proximity with
human
children.

Now, of course, one way to look at this result (Savage-Rumbaugh) is to
say
that it refutes what Vygotsky has claimed about ideation in the ape.
Apes do
have ideation, and the experimentum crucis shows this.

But there is another way to consider Savage-Rumbaugh’s result.
Vygotsky’s
main contention is not that the ape can never acquire speech under any conditions at all, and in fact he at several points suggests that this
might
indeed happen although it has not happened yet. Vygotsky’s MAIN
contention
is that there is a distinction between cultural and natural lines of
development.

The key result of the experimentum crucis, then, is this: human language is always and everywhere linked to human culture. But human culture is
not
necessarily confined to man.

David Kellogg
Seoul National University of Education

--- On Tue, 7/20/10, Bella Kotik-Friedgut <bella.kotik@gmail.com>
wrote:


From: Bella Kotik-Friedgut <bella.kotik@gmail.com>
Subject: Re: [xmca] The Genetic Belly Button and the Functional Belly
To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
Date: Tuesday, July 20, 2010, 5:29 AM


Just to remind of the role of the RH in speech perception and production
(prosody) - so all our verbal communication is a result of
interhemispheric
cooperation.
Bella Kotik
On Tue, Jul 20, 2010 at 12:32 AM, Joseph Gilbert <
joeg4us@roadrunner.com

wrote:

       Do we acknowledge that we are affected by the sounds of 
the human
voice? Do the sounds of the phonemes cause reactions in our body-mind?
If
we
are, and if they do, then do our reactions to the sounds of our voice
affect
our perceptions of the things to which we verbally refer? If so, what
is
the
nature of that effect?  What say ye?

              Joseph Gilbert



On Jul 19, 2010, at 2:23 PM, David Kellogg wrote:

We have a problem here in Korea. In order to teach children polite

language, which is what they need to communicate with adult strangers,
teachers tend to use the polite register in class. That is, instead of
saying:

T: What is this?

They tend to say things like:

T: Can you tell me what this is?

Now this is quite puzzling from a learner's point of view. First of
all,
it seems otious, almost fatuous, in its complexity (which is, of
course,
a
form of discourse complexity because it suggests a complex discourse sequence, where the questioner first ascertains whether the hearer can
answer and then attempts to find the answer).

Secondly, the intonation, which is often the learner's best clue as to
the
speaker's intention, is not the normal way in which we ask for
information
using a wh-question in English. Wh-questions normally come DOWN,
unless
we
are asking for old informatoin ("What did you say this was?").

Thirdly, the word order seems wrong and if the learner attempts to
dissect
the sentence into usable bits, it will produce wrong question forms
("What
this is?"). As we say in Korean, the belly button of genetic origins
is
overpowering the belly of functional use.

Carol remarked that chimps seem to be unable to deal with hypotaxis,
and
of course we can easily imagine that chimps might be puzzled in
exactly
this
way without drawing any conclusions about the language learning
ability
of
the chimp as opposed to that of the (equally puzzled) Korean child.
But her remark raises the interesting question of WHY, in English,
wh-questions are bi-functional in precisely this way: they serve on
the
one
hand to mark intra-mental relations by showing how discourse sequences
collapse into grammatical ones:

T: Is this hat red?
S: Yes, it is.
T: Is it yours?
S: Yes.
T: So the had that is red is yours?
S: Yes, the hat that is red is mine.

(This is the very sentence that Chomsky used as evidence that
structural
dependency could not be learned!)

T: Can you tell me about this?
S: Yes.
T: What is it?
S: It's an apple.
T: So you can tell me what this is?

I think the answer to this question is easily found in Tomasello, who found it in Vygotsky. Every human function, including complex grammar, appears in the course of human development twice, the first time as
the
tragedy of complex discouse, and the second time as the comedy of
complex
grammar.

So, to let the cat out of the bag: hypotaxis is indeed more
"scientific"
than parataxis as a speech form, in much the same way that
"hextillion"
is
more scientific than "six". But this is merely because as a thinking
form it
is reconstrues an IDENTICAL intellectual content in a more
intra-mental,
internally complex, and system-related form.

David Kellogg
Seoul National University of Education




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--
Sincerely yours Bella Kotik-Friedgut
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--
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+27 (0)11 673 9265   +27 (0)82 562 1050
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*Andy Blunden*
Home Page: http://home.mira.net/~andy/
Videos: http://vimeo.com/user3478333/videos
Book: http://www.brill.nl/scss


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