But what was just as striking to me was, from Yrjo's description, the
opportunity this cold place opened up for romantic imagination: light or
dark, it is something without which adolescents would seem half naked. I
believe it was Kieran Egan who investigated a number of studies (both
qualitative and quantitative; N. American I think) and developed a synopsis
of what appeared to be important affective themes for children aged 8-15. I
can't remember them all but it included a ready willingness to
associate/sympathize with the transcendent or heroic, the exotic or extreme,
the awesome and the intensely human, situations in which limits could be
seen (and tested) -- all narrative types that could recursively build and
sustain a virtually inexhaustible willingness to investigate just about
anything, particularly if an injustice appeared to be involved. As Ana I
think points out, this is not separable from discovery -- it is part and
parcel of what discovery must mean. Peter did not start with a strong
"motivation" to do anything, only a little germ of an itch -- why was August
at Biehl's Academy?
Rolfe Windward [UCLA GSE&IS: Curriculum & Teaching]
e-mail: rwindwar who-is-at ucla.edu (Text/BinHex/MIME/Uuencode)
70014.0646 who-is-at compuserve.com (text/binary/GIF/JPG)