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Re: Fwd: [xmca] A Failure of Communication
- To: ablunden@mira.net, "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
- Subject: Re: Fwd: [xmca] A Failure of Communication
- From: Charles Bazerman <bazerman@education.ucsb.edu>
- Date: Mon, 12 Nov 2012 18:44:16 -0800
- Cc: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
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I look forward to your elaborations and will view your video.
Chuck
----- Original Message -----
From: Andy Blunden <ablunden@mira.net>
Date: Monday, November 12, 2012 6:27 pm
Subject: Re: Fwd: [xmca] A Failure of Communication
To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
> I'm sorry for being so obscure, Chuck. I am still working on how to
> explain my position. But all I am proposing is my reading of Vygotsky
> on
> Concepts as set out in "Thinking and Speech." Nothing more. I
> certainly
> do not think concepts are "philosophic phantasms," although this is
> the
> most common response to discovery of the kind of points I am raising:
>
> "Well, if concepts are not like this, then they must be philosophic
> phantasms and not worth chasing after."
>
> I am fine with locating yourself in this world in a pragmatist way,
> etc., etc. I do nothing different. Though I am not sure what you mean
> by
> "communal" and other allusions to "community." Maybe my video
>
> https://vimeo.com/groups/129320/videos/35819238
>
> explains it better. Yes, I think there is a "more grounded approach,"
>
> though those are not words of mine. I am certainly not trying to "deal
>
> with concepts in an abstract way," in fact that is a fair definition
> of
> what I am opposing.
>
> Andy
> Charles Bazerman wrote:
> > Andy, I am not sure I see what you are driving at, and thus I do not
> know how to continue the discussion. I know you have written and just
> published a book on concepts, but I have not read it.
> > Are you suggesting that there is a more grounded approach to
> concepts or that concepts dissolve and that we should not chase after
> them as philosophic phantasms?
> >
> > I am trying to deal with concepts not in an abstract philosophic way
> but in a pragmatist way based on the social circulation of terms and
> their use in communal practices and then on what evidence we can glean
> about internal phenomena--and as I say in the essay, my primary
> activity system and project as a teacher of writing has to do with
> helping people engage with public circulation of words which people
> find of value in their endeavors and in their personal understanding
> of the world which they act within. To that task I bring the
> resources of Vygotsky and activity theory. I do not claim an
> epistemic position outside those realms of practice. So what are you
> trying to persuade me and others of, or what difficulty in my pursuit
> of my practices within my activity systems do you want me to attend to?
> >
> > Once I have better bearings of the intersection of our interests, I
> may be able to say something more useful.
> >
> > Chuck
> >
> >
> > ----- Original Message -----
> > From: Andy Blunden <ablunden@mira.net>
> > Date: Monday, November 12, 2012 4:30 pm
> > Subject: Re: Fwd: [xmca] A Failure of Communication
> > To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
> >
> >
> >> Nice to meet you, Chuck. I read your original submission and the
> >> revised
> >> ms twice, but that is some time ago now. I will re-read it later
> today
> >>
> >> so I can be properly prepared for this multilogue. In the meantime
> let
> >>
> >> me make just one point, because my point about the drive to make
> >> aconcept into a typology has nothing to do with the distinction
> >> between
> >> dichotomous typologies and typologies that point to a continuous
> >> spectrum. The latter is always the refuge of a failed dichotomy.
> >>
> >>
> >> Let's suppose you are on a jury. You are hearing a case of murder.
> You
> >>
> >> know what murder is, and I am assuming that everyone on this list
> >> knows
> >> and I won't try to define it. The case however turns out to be
> >> challenging, even though the facts are not in dispute. You hear
> about
> >>
> >> provocation and blind rage and fear, and about blows whose effect
> far
> >>
> >> exceeds intention, and the victim's heart condition. Before you
> retire
> >>
> >> to consider your verdict, the judge gives you a list of criteria
> >> against
> >> which you have to judge the facts.
> >>
> >> My question is this: is the list of criteria which define a
> typology
> >> of
> >> homicide according to the various contingent circumatances of the
> act
> >>
> >> the *real, scientific* definition of "murder", and the vague
> >> ill-defined
> >> concept of murder that you arrived with a "spontaneous concept"? Or
> is
> >>
> >> it the fact that you had a better concept to start with, and the
> >> judge's
> >> criteria were the best approximation the law could make to that
> >> concept
> >> for teh purpose of categorisation?
> >>
> >> Let us go further. You find the defendant guilty of murder and they
> go
> >>
> >> to prison, but there is a public outcry and a massive campaign to
> have
> >>
> >> her acquitted. The campaign is successful, the defendant appeals
> and
> >> is
> >> acquitted after which the government amends the law so that in
> future
> >>
> >> judges will give new directions to juries ensuring not-guilty
> findings
> >>
> >> in such cases in future.
> >>
> >> My next question is this: which is the "real concept" of murder? Or
>
> >> did
> >> it change? Or are there in fact multiple concepts of murder in
> >> competition with one another? Was everyone previously mistaken
> about
> >> the
> >> definition of murder? What typology of concepts do you use to
> >> distinguish them.
> >>
> >> Now I float this hypothetical NOT to prove how complicated is real
>
> >> life,
> >> so that we can all shrug our shoulders and say "Goodness! What can
> you
> >>
> >> do?" But it is targeted specifically at the concept of concept
> which
> >> reads Vygotsky, like everyone else (almost), as taking the concept
> of
> >>
> >> concept to be a typology of contingent attributes with nothing
> >> underneath. And of course, Chuck, it is a question for everyone
> else
> >> as
> >> much as for you.
> >>
> >> Andy
> >> https://vimeo.com/groups/129320/videos/35819238
> >>
> >>
> >> Charles Bazerman wrote:
> >>
> >>> Mike Forwarded the current string, and I have now rejoined the
> list.
> >>>
> >> An earlier message I sent about T.S. Eliot's poem got lost, and I
> may
> >> repost it later. Right now, however, let me respond to these Andy
> and
> >> Larry's thoughtful comments. I think Andy has got my intentions
> and
> >> situation right. I was certainly invoking my understanding of
> >> Vygotsky's ideas of scientific and spontaneous concepts, and was
> >> interpreting scientific to include organized sets of practices
> where
> >> there were stronger degrees of public criticism and social
> >> accountability, particularly with respect to coherence among
> concepts
> >> and collected evidence gathered according to communal standards in
>
> >> pursuit of communal projects. And thus I would indeed associate
> >> concepts with use and practice within social groupings. (I am
> using
> >> the term social groupings rather than the more common term
> community
> >> in order to emphasize the varieties among groupings and the
> >> differentiation of roles, positions, and objects within
> >>
> >>> those groupings, although collective objects may bind those groups
> together.)
> >>>
> >>> To some degree any publicly articulated ideas are accountable to
> >>>
> >> communal expectations, practices, and rules of accountability, even
> if
> >> such rules are of the sorts such as "let it pass, because it is not
>
> >> important for immediate action" or "let's accept everyone's ideas,
>
> >> although we may not understand them or agree with them, in the name
> of
> >> goodwill or mutual support." Each of these do provide climates in
> >> which we formulate our ideas. So in this way the spectrum of
> >> spontaneous to disciplined/scientific concepts is continuous and
> does
> >> not provide bright lines, except as we historically construct them.
>
> >> However, we have historically created more robust social groupings
>
> >> devoted to particular lines of practice and projects, with more
> >> explicit and detailed sets of expectations and criteria of judgment
>
> >> for the consequentiality of proposed ideas--and these groupings
> have
> >> as well been associated with emergent institutions associate with
> the
> >> objects of these groupings.
> >>
> >>> These might include not only the secular institutions and
> >>>
> >> disciplines of the academy and professions, but also those of the
> >> spiritual domain, the performing and graphic arts, commerce games
> and
> >> sports, politics, criminal culture, and other domains that have a
> >> robust alignment of practice and communal thinking. These may not
> all
> >> have occurred to Vygotsky as scientific, as attached as he was to
> the
> >> emergence of "scientific socialism" (though his connection with the
>
> >> arts, especially literature drama and the early film, may have led
> him
> >> to include them in his view of an increasingly scientific social
> >> order). Thus I may be drawing the fuzzy line between spontaneous
> and
> >> scientific concepts nearer to the spontaneous end than Vygotsky,
> who
> >> might as well have been drawing a somewhat brighter line. However,
>
> >> since Vygotsky did not elaborate extended visions of society or
> >> history, especially after he articulated his view of concepts, we
> may
> >> not ever know what he thought or even if he
> >>
> >>> thought very much about this issue. His earlier writings about
> the
> >>>
> >> arts, however, did indicate that he did treat them as capable of
> >> disciplined evocation of internal states to create shared experiences.
> >>
> >>> This discussion still leaves me with the dilemma that both Andy
> and
> >>>
> >> Larry point toward, that my own articulation of concepts is within
> the
> >> intellectual project and practices of historically emerged
> disciplines
> >> and projects. Guilty. I do not claim to escape social time or
> social
> >> space, but only speak to them. It is in fact Yrjo's call for the
> >> special issue that drew together my various ruminations about
> concepts
> >> in other contexts to a new articulation, directed towards the
> >> inter/multi-disciplinary world of MCA, situated within the wider
> >> social intellectual projects that have drawn on activity theory. I
>
> >> found this context gave fresh wind to my sails to push my thinking
>
> >> further. Additionally, it was the review processes and dialog
> around
> >> publication that further helped me articulate my thought for this
> >> particular social formation and occasion. Accordingly and
> obviously, I
> >> draw on the conceptual world and intellectual practices that come
> with
> >> the activity theory projects. I
> >>
> >>> have cast my bets with this particular lot and the fate of my
> text
> >>>
> >> depends on the usefulness for people engaged with this evolving
> >> project or with future projects that might find a useful resource
> in
> >> this set of concepts.
> >>
> >>> My last paragraph pulls me back to the Eliot poem and the last
> >>>
> >> sentence of my abstract--the need and value of rearticulating one's
>
> >> ideas and accounts to new moments, and how that provides new
> refining
> >> disciplines. What strikes me most about Eliot's poem, which I
> >> commented on in my lost message, is how urgent he feels the need to
>
> >> continually rearticulate himself, despite what others may have said
>
> >> more powerfully or even himself in better times. Of course, Eliot
> was
> >> caught up in both religious and artic stic disciplines which seemed
> to
> >> call for this constant rearticulation to measure the quality of his
>
> >> soul and his path in the world. To what extent, more generally all
> of
> >> us are driven to rearticulate the self in those disciplines
> important
> >> to the self, is a question I am now thinking about. Is this a
> >> characteristic of participation in particular social worlds or is a
>
> >> consequence of the organization of the human brain and
> consciousness,
> >> in the manner Ramachandran proposes.
> >>
> >>> Chuck
> >>> ----- Original Message -----
> >>> From: mike cole <lchcmike@gmail.com>
> >>> Date: Monday, November 12, 2012 8:11 am
> >>> Subject: Fwd: [xmca] A Failure of Communication
> >>> To: Chuck Bazerman <bazerman@education.ucsb.edu>
> >>>
> >>>
> >>>
> >>>> Chuck-
> >>>>
> >>>> There are some comments on your xmca paper. You might want to join
> >>>> xmca for a bit or I will just forward for your comments.
> >>>> mike
> >>>>
> >>>> ---------- Forwarded message ----------
> >>>> From: Andy Blunden <ablunden@mira.net>
> >>>> Date: Mon, Nov 12, 2012 at 6:45 AM
> >>>> Subject: Re: [xmca] A Failure of Communication
> >>>> To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
> >>>>
> >>>>
> >>>> I appreciated Bazerman's deployment of the conceptr of "genre"
> and
> >>>>
> >> I also
> >>
> >>>> liked his use of "gist".
> >>>>
> >>>> To be fair, Larry, Bazerman qualifies the use of "scientific" by
> following
> >>>> the term with "(or disciplined or schooled)," and this indicates
> a
> >>>>
> >> much
> >>
> >>>> broader concept of concept, much closer to what I would take to
> be
> >>>>
> >> a "true"
> >>
> >>>> concept in Vygotsky's sense. I wonder if his use of "scientific"
> to
> >>>>
> >> "stand
> >>
> >>>> for" that whole category of concept was a nod to Vyvgotsky? In general
> >>>> though, I think what Bazerman calls "conceptual words" and "scientific
> >>>> (disciplined or schooled)" concepts are precisely concepts which
>
> >>>>
> >> arise
> >>
> >>>> from
> >>>> problems in a definite system of practice, or dare I say it, a
> >>>> project. A
> >>>> set of practices has to have rules in order to generate contradictions
> >>>> which are the source of new concepts.
> >>>>
> >>>> But I think the problem that Bazerman has in developing this
> >>>>
> >> insight flows
> >>
> >>>> from his concept of concept. Yes, the concept of concept is
> >>>>
> >> circular.
> >>
> >>>> When
> >>>> you make claims about concepts, or say anything about them, you
> are
> >>>>
> >> already
> >>
> >>>> presuming your interlocutor shares your understanding of the subject
> >>>> matter, i.e. your concept of concept. ...
> >>>>
> >>>> So Bazerman wants to categorise concepts and sets off trying to
> >>>>
> >> make a
> >>
> >>>> typology, and so we have "spontaneous" and "scientific" concepts
>
> >>>>
> >> ... which
> >>
> >>>> immediately leads to observations like yours about the "fuzzy boundaries"
> >>>> not to say "shifting boundaries" etc. Because despite it all, it
> seems,
> >>>> Bazerman still cannot get away from the concept of concept as a
> >>>>
> >> means
> >>
> >>>> of
> >>>> categorisation. So the first thing you have to do in talking
> about
> >>>>
> >> concepts
> >>
> >>>> is to set up a typology of concepts.
> >>>>
> >>>> There are a lot of nice things about this paper, but so long as
> you
> >>>>
> >> are
> >>
> >>>> stuck on categorisation and typologies you will forever be tied
> in
> >>>>
> >> knots
> >>
> >>>> trying to understand concepts, I think.
> >>>>
> >>>> Andy
> >>>>
> >>>>
> >>>> Larry Purss wrote:
> >>>>
> >>>>
> >>>>
> >>>>> Hi Mike
> >>>>>
> >>>>> I will attempt a commentary on Charles Bazerman's article
> "Writing
> >>>>>
> >> With
> >>
> >>>>> Concepts: Communal Internalized and Externalized"
> >>>>>
> >>>>> I struggled with how to enter into this genre of writing which
> is
> >>>>>
> >> exploring
> >>
> >>>>> the concept of concepts. The topic of the paper I find
> >>>>>
> >> fascinating
> >>
> >>>>>
> >>>>>
> >>>> and the
> >>>>
> >>>>
> >>>>> insight that concepts are embedded within genres allows
> reflection
> >>>>>
> >>>>>
> >>>>>
> >>>> on the
> >>>>
> >>>>
> >>>>> notion of *romantic science*
> >>>>>
> >>>>> In particular the genre's propensity to explore concepts as two
>
> >>>>>
> >>>>>
> >>>> *kinds* -
> >>>>
> >>>>
> >>>>> spontaneous and scientific. Bazerman then offers a qualification
>
> >>>>>
> >>>>>
> >>>> that these
> >>>>
> >>>>
> >>>>> *kinds* have fuzzy boundaries.
> >>>>>
> >>>>> It is this notion of the fuzzy boundaries within this particular
>
> >>>>>
> >>>>>
> >>>> genre that
> >>>>
> >>>>
> >>>>> I would like to explore further. When we enter into a dialogue
> on
> >>>>>
> >> the
> >>
> >>>>> relationship between spontaneous and scientific concepts and
> >>>>>
> >>>>>
> >>>> explore the
> >>>>
> >>>>
> >>>>> functions of each are we moving away from *strict* dialectcs towards
> >>>>> *interpretive* dialectics*?
> >>>>> In other words is the relationship BETWEEN spontaneous and scientific
> >>>>> concepts a *real* or an *interpretive* distinction?
> >>>>> Do these distinctions exist in the natural world or are they
> >>>>>
> >> aspects
> >>
> >>>>>
> >>>>>
> >>>> of a
> >>>>
> >>>>
> >>>>> particular genre which has developed textually and
> intertextually
> >>>>>
> >> through
> >>
> >>>>> effective history?
> >>>>>
> >>>>> What I'm playing with is the theme of *romantic science*.
> >>>>>
> >>>>> I also want to share an image which this article sparked.
> >>>>> At the AERA conference in Vancouver, I felt a sense or mood of
> >>>>> fragmentation within the *project* of AERA. There were multiple
> genres
> >>>>> with the corresponding conceptual *tools* or *artifacts*. The
> >>>>>
> >>>>>
> >>>> throngs were
> >>>>
> >>>>
> >>>>> moving aboutt as if at a trade fair picking up and putting down
> the
> >>>>> various tools, artifacts, and scientific concepts wondering if
> >>>>>
> >> these
> >>
> >>>>>
> >>>>>
> >>>> tools
> >>>>
> >>>>
> >>>>> would be useful for their particular projects. But where was the
>
> >>>>>
> >>>>>
> >>>> sense or
> >>>>
> >>>>
> >>>>> mood of *shared purpose* within *commonly shared projects*?
> >>>>>
> >>>>> Charles Bazerman's article is exploring a fascinating theme of
> >>>>>
> >>>>>
> >>>> genres and
> >>>>
> >>>>
> >>>>> concepts. I hear Andy's voice calling us to put this particular
>
> >>>>>
> >>>>>
> >>>> genre in a
> >>>>
> >>>>
> >>>>> wider framework engaging with our ancestors. The topic as genre
> is
> >>>>> fascinating but it does have a history within an evolving dialogue.
> >>>>> As Andy is passionate about calling us to remember the genre exploring
> >>>>> concepts of concepts has a romantic history. Exploring
> scientific
> >>>>>
> >> and
> >>
> >>>>> spontaneous concepts [with their FUZZY boundaries] is one way
> into
> >>>>>
> >> this
> >>
> >>>>> fascinating genre.
> >>>>>
> >>>>> Larry
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>> On Sun, Nov 11, 2012 at 11:38 AM, mike cole <lchcmike@gmail.com>
> wrote:
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>> Dear Colleagues--
> >>>>>>
> >>>>>> I have been reminded of an issue that has been nagging at me
> for
> >>>>>>
> >> some
> >>
> >>>>>> time,
> >>>>>> that we have not had a discussion of any of the articles in the
> special
> >>>>>> issue of
> >>>>>> MCA called "concepts in the wild." The article selected by a
> >>>>>>
> >>>>>>
> >>>> plurality of
> >>>>
> >>>>
> >>>>>> voters
> >>>>>> was by Chuck Bazerman on concepts in the process of writing.
> But
> >>>>>>
> >> no
> >>
> >>>>>>
> >>>>>>
> >>>> one
> >>>>
> >>>>
> >>>>>> has
> >>>>>> commented on the article. That seems to me a shame. In fact,
> the
> >>>>>>
> >> entire
> >>
> >>>>>> issue,
> >>>>>> with its stellar set of authors and papers is worth discussing,
>
> >>>>>>
> >> and
> >>
> >>>>>>
> >>>>>>
> >>>> I
> >>>>
> >>>>
> >>>>>> figure there will be more
> >>>>>> articles on this general theme in the time to come, spanning as
>
> >>>>>>
> >> it
> >>
> >>>>>>
> >>>>>>
> >>>> does,
> >>>>
> >>>>
> >>>>>> the story of
> >>>>>> all those practice in which we acquire and deploy concepts in organizing
> >>>>>> our social life and experience the world.
> >>>>>>
> >>>>>> Below are two items for your consideration: The first is the
> >>>>>>
> >>>>>>
> >>>> abstract of
> >>>>
> >>>>
> >>>>>> Chuck's paper. The second
> >>>>>> is a stanza from a poem by T.S. Elliott which I believe is
> >>>>>>
> >> relevant
> >>
> >>>>>>
> >>>>>>
> >>>> to
> >>>>
> >>>>
> >>>>>> topic of the paper and
> >>>>>> in any event, worth considering in its own right. I first
> >>>>>>
> >>>>>>
> >>>> encountered it
> >>>>
> >>>>
> >>>>>> in
> >>>>>> Jack Goody's *Domestication of the Savage Mind, *a book about the
> >>>>>> relationship between thinking and writing in societies varying
> in
> >>>>>>
> >> their
> >>
> >>>>>> practices related to the concept of literacy.
> >>>>>>
> >>>>>> If the 25 people or more who led us to this article are not in
> a
> >>>>>>
> >> position
> >>
> >>>>>> to contribute to the discusion,
> >>>>>> perhaps this invitation will be sufficient for others,
> including
> >>>>>>
> >>>>>>
> >>>>>>
> >>>> Chuck, to
> >>>>
> >>>>
> >>>>>> do so.
> >>>>>>
> >>>>>> And if no one is interested in this discussion, we might
> re-visit
> >>>>>>
> >> the
> >>
> >>>>>> process by which articles for discussion taken from MCA. Or not.
> >>>>>>
> >>>>>> mike
> >>>>>> -----------------------
> >>>>>>
> >>>>>> T. S. Elliott from “East Coker”
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>>> So here I am, in the middle way, having had twenty years—
> >>>>>>
> >>>>>> Twenty years largely wasted, the years of *l'entre deux guerres*
> >>>>>>
> >>>>>> Trying to use words, and every attempt
> >>>>>>
> >>>>>> Is a wholly new start, and a different kind of failure
> >>>>>>
> >>>>>> Because one has only learnt to get the better of words
> >>>>>>
> >>>>>> For the thing one no longer has to say, or the way in which
> >>>>>>
> >>>>>> One is no longer disposed to say it. And so each venture
> >>>>>>
> >>>>>> Is a new beginning, a raid on the inarticulate
> >>>>>>
> >>>>>> With shabby equipment always deteriorating
> >>>>>>
> >>>>>> In the general mess of imprecision of feeling,
> >>>>>>
> >>>>>> Undisciplined squads of emotion. And what there is to conquer
> >>>>>>
> >>>>>> By strength and submission, has already been discovered
> >>>>>>
> >>>>>> Once or twice, or several times, by men whom one cannot hope
> >>>>>>
> >>>>>> To emulate—but there is no competition—
> >>>>>>
> >>>>>> There is only the fight to recover what has been lost
> >>>>>>
> >>>>>> And found and lost again and again: and now, under conditions
> >>>>>>
> >>>>>> That seem unpropitious. But perhaps neither gain nor loss.
> >>>>>>
> >>>>>> For us, there is only the trying. The rest is not our business.
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>>> The whole poem is here:
> >>>>>> ______________________________**____________
> >>>>>> _____
> >>>>>> xmca mailing list
> >>>>>> xmca@weber.ucsd.edu
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>>>
> >>>>> ______________________________**____________
> >>>>> _____
> >>>>> xmca mailing list
> >>>>> xmca@weber.ucsd.edu
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>> --
> >>>> ------------------------------**------------------------------**------------
> >>>> *Andy Blunden*
> >>>> Home Page: http://home.mira.net/~andy/
> >>>> Book: http://www.brill.nl/concepts
> >>>>
> >>>>
> >>>>
> >>>> ______________________________**____________
> >>>> _____
> >>>> xmca mailing list
> >>>> xmca@weber.ucsd.edu
> >>>>
> >>>>
> >>>>
> >>> __________________________________________
> >>> _____
> >>> xmca mailing list
> >>> xmca@weber.ucsd.edu
> >>> http://dss.ucsd.edu/mailman/listinfo/xmca
> >>>
> >>>
> >>>
> >> --
> >> ------------------------------------------------------------------------
> >> *Andy Blunden*
> >> Home Page: http://home.mira.net/~andy/
> >> Book: http://www.brill.nl/concepts
> >> http://ucsd.academia.edu/AndyBlunden
> >>
> >>
> >> __________________________________________
> >> _____
> >> xmca mailing list
> >> xmca@weber.ucsd.edu
> >> http://dss.ucsd.edu/mailman/listinfo/xmca
> >>
> >
> >
> >
>
> --
> ------------------------------------------------------------------------
> *Andy Blunden*
> Home Page: http://home.mira.net/~andy/
> Book: http://www.brill.nl/concepts
> http://ucsd.academia.edu/AndyBlunden
>
> __________________________________________
> _____
> xmca mailing list
> xmca@weber.ucsd.edu
> http://dss.ucsd.edu/mailman/listinfo/xmca
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