-----Mensagem original-----
De: Ricardo Ottoni Vaz Japiassu <rjapias@uol.com.br>
Para: xmca@weber.ucsd.edu <xmca@weber.ucsd.edu>
Data: Quinta-feira, 11 de Janeiro de 2001 21:09
Assunto: Re: Meyerhold-Vygotsky-Eisenstein-Stanislavisky
I read the subdiscussion on Vygotsky-Stanislavsky-Eisenstein-Meyerhold.
There is an other theater man to whom he, Vygotsky, had referred to: Vakhtangov. He was a theater director contemporary of Meyerhold and, as Meyerhold, was a student at Art Theater of Moscow, directed by Stanislavsky.
Vygotsky uses Vakhtangov's production of Turandot as an example of how someone could use Stanislavsky sistem - generally associated to naturalistic-realistic role playing - in order to obtain a very theatrical effect on stage in Sulla psicologia della creatività dell'attore (+- "On the problem of the criativity of the actor". I do not know what it is the title of the article in English. Just know it was translated by Elizabeth Roberts and published in SCYPT Journal 14, 1985, p. 47-56/England ).
Ricardo Ottoni Vaz Japiassu
Universidade do Estado da Bahia-Uneb
Cond. Aldeia de Trobogy
Rua B1, Bl. 49C/301
Patamares - Salvador
41680140 BAHIA
Brasil
Fone: (071) 3660923
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