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[Xmca-l] Inner thought in theater pieces

Nazim Hikmet uses widely inner  thought and momologue in a work to convey
the internal richness of emotion and thought of his characters. Especially
inner thought.

The name of the work is Ferhad and Sirin, and another name is Legend of

Anyone can see the very interesting content of the work, characters in a
struggle in a triangle of love.

It is a quite successful work, played by Bolshoi.

My questions are:

Does the science of psychology make wide use of such theater work? i.e. in
terms of the inner thought.

Does the science of pscyhology make use of such theater work in terms of
human development? i.e. in terms of the "defects" human beings possess.