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[Xmca-l] Re: Imagination or Fantasy



Ed,
In mike's editorial notes introducing Suvorov's article mike focuses and draws our attention to a (gap) in American cognitive psychology. This gap results in a difficulty in translation of the term vo-obraz-zhenie.
The suffix (zhenie) shifts the meaning (into-image) to (imaging) as process.
Mike made a decision. Since he was addressing an American audience he left this meaning (imaging) to one side and replaced (imaging) with a substitute word (representation).
I am now drawing attention to why American cognitive psychology is better able to understand and relate to (representation) than (imaging)?
I suspect it is because of cultural historical circumstances that denigrated (imaging).
I am returning to vo-obraz-zenhie and trying to honour (imaging) as expressing qualities that include the sensory experience but add other characteristics.
Suvorov beliefs the fundamental act of cognition is the (stepping back) from the world, which WHEN RECOMBINED with original sensation, yields thought.
So the place of (imaging) and mike's decision to replace with the word (representation) has a narrative to tell.
My question is if (representation) looses a felt quality that (imaging) embodied  and expressed as moving (into the image) better captures.
Presentation and (re)presentation may be resting on this (imaging) that has a (felt) quality. The movement of referring, indicating as intentionally denotative presentational gestures may  rest in a more primordial moment of (felt) moving within the image.
To say that the mom and infant move mutually and call this process activity (shared actions) is not questioned. 
My question is if this activity is (imaginal) at this felt level of mutual synchronization (always marked but never identical) prior to being (presented).
Are there qualities of vo-obraz-zenhie that (imaging) images better than (presentation) images?


-----Original Message-----
From: "Ed Wall" <ewall@umich.edu>
Sent: ‎2015-‎12-‎06 10:43 AM
To: "eXtended Mind, Culture, Activity" <xmca-l@mailman.ucsd.edu>
Subject: [Xmca-l] Re: Imagination or Fantasy

Larry

     As I think, to an extent, that one can imagine taste, touch, sound, and smell (and, in a way, intellectually) focusing on ‘image’ seems to obscure. Thus, your question, doesn’t, in a way, make much sense to me. That doesn’t mean that it doesn’t to others. Also, I suspect you would, at least, need to take the baby and mother back to -2 months to get at an embryonic origin.

Ed

> On Dec 6, 2015, at  10:42 AM, Lplarry <lpscholar2@gmail.com> wrote:
> 
> Ed, mike, Michael,
> I will push my question to an earlier time period.
> Age 2 months.
> The baby (perceives) mom's activity and introduces her.own activity .
> Question
> With this mutual activity is the baby forming an image, moving into the image and becoming an (imaging) human as het nature?
> Will say more but where does (image) have its embryonic origin?
> 
> -----Original Message-----
> From: "Ed Wall" <ewall@umich.edu>
> Sent: ‎2015-‎12-‎05 4:48 PM
> To: "eXtended Mind, Culture, Activity" <xmca-l@mailman.ucsd.edu>
> Subject: [Xmca-l] Re: Imagination or Fantasy
> 
> Larry
> 
>     I wan’t looking at the title, but, yes, ‘or’ can be inclusive or exclusive.
> 
>     I don’t think of it as a detour; that doesn’t seem to make sense if I understand Vygotsky correctly.
> 
>     I, personally, don’t equate ‘physical' and ‘concrete’;’ perhaps I wasn’t clear. In any case, I’ve never completely understood the tendency to think of the physical (i.e. a thing in itself) as somehow extra-concrete. The best I can do is imagine that in a certain cultural historical context and at a certain stage of development people act as if certain things are ‘concrete.’ This includes the 'physical world' (whatever that is?).
> 
>      I’m not quite sure where you are going with the development of systems and concrete-like or even cultural historical.
> 
>       Fantasy is a complicated word so I don’t know what you mean when you allude to “assume that or let’ involving fantasy. My answer, perhaps, would be neither is necessarily imaginal or fantasy
> 
>       Since I have no clear idea what you mean by system or fantasy in your email, I can’t give a reasonable answer to your final question. An approximate answer might be “no”; however, I can imagine other possibilities (smile).
> 
> Ed
> 
>> On Dec 4, 2015, at  4:04 PM, Lplarry <lpscholar2@gmail.com> wrote:
>> 
>> Ed,
>> 
>> The title imagination (or) fantasy
>> Is different from 
>> Imagination (equates) with fantasy.
>> To move from the physical concrete though a detour (a distanciation?) and return to the mathematical concrete.
>> Is the same word (concrete) shift meaning in this transfer from the physical to the mathematical?
>> If mathematics is actually a (system) that has emerged in historical consciousness then is it reasonable to say that the physical (concrete) which exists prior to the human understanding and the mathematical (concrete) which is a cultural historical system emerging within the imaginal are both (concrete) in identical ways?
>> It seems that systems (develop) and become concrete-like. 
>> Is this the same meaning of concrete as the physical which originates as concrete.
>> To (assume that or to let) involves the imaginal and fantasy.
>> Is there a clear demarcation between the imaginal and fantasy. Does one imply it does not (actually) exist while the other implies the actual can be mapped onto the physical with systems?
>> Is there a clear demarcation between systems and fantasy?
>> Larry
>> 
>> -----Original Message-----
>> From: "Ed Wall" <ewall@umich.edu>
>> Sent: ‎2015-‎12-‎04 11:05 AM
>> To: "eXtended Mind, Culture, Activity" <xmca-l@mailman.ucsd.edu>
>> Subject: [Xmca-l]  Imagination or Fantasy
>> 
>> All
>> 
>>    For various reasons I have been thinking about a kind of imagination that might be subsumed under statements like “assume that,” “let,” or “Imagine that” (and these may be, in fact, very different statements although, under certain circumstances, might be the same.” In doing so I came across something written by Vygotsky in Imagination and Creativity in the Adolescent (ed Rieber) p163: “It is characteristic for imagination that it does not stop at this path, that for it, the abstract is only an intermediate link, only a stage on the path of development, only a pass in the process of its movement to the concrete. From our point of view, imagination is a transforming, creative activity directed from a given concrete toward a new concrete.”
>> 
>>   I find this quote very interesting in view of a previous discussion on the list regarding Davydov’s mathematics curriculum in that I am wondering whether part of what is going on is that children are being asked to “imagine." I have other mathematical examples of this join the elementary school that are possibly a little more obvious (if somebody is interested I can give them off list). Anyway, one reason for my wondering is that for so many people mathematics is not concrete; i.e. there is no stepping from concrete to concrete; the sort of get stuck, so to speak, in the abstract. So let me give two examples of what I am wondering about and then a question.
>> 
>>  My first example:  It is possible that we would all agree that to see a winged horse is imagine a winged horse as there is no such thing. In a somewhat like manner, a simple proof that the square root of two is not a fraction begins with “Assume that the square root of two is a fraction.” This is not so thus, in sense, one must imagine that it is true and then look at the consequences (the square root of -1 is perhaps another example). This seems to be a case of concrete to concrete through imagination and this type of proof (a proof through contradiction) seems to be very hard for people to do.
>> 
>>  My second example: The teacher goes up to the blackboard and draws something rather circular and says “This is a circle.” She then draws a point somewhat towards the center of the planar object and says, "This is its center.” She then says “Every point on this circle (waving her hand at the object on the blackboard) is equidistant from the center.” None of this is true, but somehow we are meant to behave as if it were. Each step here seems to go through imagination from the concrete to the concrete. (Hmm , I see that I am really saying from the physical concrete to the mathematical concrete. Perhaps Vygotsky wouldn’t allow this?)
>> 
>> [I note by the way Poul Anderson took on the consequences of a winged horse].
>> 
>>   So my question, as Vygotsky seems to identify imagination with fantasy (this may be a fault of the translation), what would Vygotsky have called my examples? A case of sheer conceivability or something else? There is, I note, good reason to call it imagination, but I’m interested in your take on what Vygotsky’s take might be.
>> 
>> Ed Wall
>> 
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