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[Xmca-l] Re: How *basic* are images?
I am responding here to David Ke's message of Nov 30th in which he
recommends an article by Robert Pepperell relevant to the topic of
imagination (as I imagine it!). I found a lot to think about and recommend
the article to those interested in the topic.
Pepperell's interest seems relevant to the topic of imagination because he
deliberately creates images that incite the viewer to identify objects but
are, in so far as possible, devoid of objects ("indeterminant stimuli").
Such paintings, he reports, induce active efforts to make sense of the
painting in terms of something the person has encountered before. He
not only are particular loci in the brain recruited in response to
indeterminate stimuli, but that the attempt to decipher such stimuli leads
to enhanced overall coordination in brain activity: “This suggests that V4
plays a key role in resolving indeterminate visual inputs by coordinated
interaction between bottom-up and top-down processing streams” (p. 275).
The word, imagination, comes up only once in the article, in connection
with the work of Gombrich..... but a lot of the studies and discussion in
the paper seem quite relevant to this topic.
One additional issue came up that has me thinking. David wrote:
for Wundt and his disciples, everything was image based, and the
Gestaltists demonstrated that many, if not most, of our mental
operations are genetically anterior to images, and have more to do
with processes, else we would not have
time or ability to process complex problems in real time.
My question. Aren't mental images processes? If not, what are they?
On Sun, Nov 30, 2014 at 10:53 PM, David Kellogg <firstname.lastname@example.org>
> Larry, Annalisa:
> People sometimes ask my wife if it was "love at first sight" when we
> met. She answers--quite truthfully--that she has no memory of anything
> except the price of the shoes that I wore (a kind of shoe available
> for a standard price all over China) She does not even remember
> whether they were new or old (they were pretty new; it was the
> beginning of the semester). I think I would describe this as a
> non-image based mental representation.
> As Larry says, the issue of whether all mental representations are
> images was a very hot one--back in the late nineteenth century. In
> fact, it was the key issue for the Gestaltist revolt against Titchener
> and against Wundtian psychology: for Wundt and his disciples,
> everything was image based, and the Gestaltists demonstrated that
> many, if not most, of our mental operations are genetically anterior
> to images, and have more to do with processes, else we would not have
> time or ability to process complex problems in real time.
> I think it is even more true that of forms of thinking that are
> genetically posterior to images. I hesitate to recommend more reading
> to anybody, because of course Larry is far more well read than I am
> (particularly on phenomenology) and Annalisa sometimes feels like
> she's being sent to sit facing the corner with a book. So do NOT read
> this article--instead, look at Figure 11.
> The artist, Robert Pepperell, uses the general color structure of
> Michelangelo’s painting to suggest images without using any actual
> images: by color and shape, which some part of our cultural experience
> associates with Renaissance paintings. Pepperell then deliberately
> frustrates these guiding images by refusing to give them any
> recognizable figures upon which to focus.
> However, the child staring up at Michelangelo’s Sistine Chapel fresco
> for the first time finds himself in the opposite situation. He or she
> can discern quite clearly the fighting figures in the painting and
> wonders who they are and why they are fighting, but does not notice
> the color structure or see anything particularly meaningful in it.
> David Kellogg
> Hankuk University of Foreign Studies
> On 1 December 2014 at 10:39, Annalisa Aguilar <email@example.com> wrote:
> > Hi Larry and David,
> > Am I butting in? I hope if I am, it is a welcome butting in!
> > I don't know that we can say that "basic guiding images" are at the root
> of all thinking.
> > Perhaps it is safer to say that people think differently, based upon
> previous conditioning and interactions with their caretakers, in
> combination with their biological makeup? Vera has a coined a phrase I like
> a lot called "Cognitive pluralism." She has written a paper on it by the
> same title and you may find interesting it if you don't know it.
> > With this in mind, it is possible that _some_ people think as Hackett
> describes, but I don't know if it is how all people think. Have you already
> given an example of Hackett's work that you recommend? I'd be willing to
> take a look.
> > As I understand, the topic of mental representations is controversial.
> It is likely controversial because no one likes it when someone says "this
> is how all humans think." Of course, that is just my humble observation.
> > It may just be that thinking is a dynamic process and whatever that
> process is, is particular to the necessity to the situation at hand? Just a
> > What is it that appeals to you about this model, metaphoricity?
> > (BTW, a metaphor need not be image based!)
> > Kind regards,
> > Annalisa
> > ________________________________________
> > From: firstname.lastname@example.org <email@example.com>
> on behalf of Larry Purss <firstname.lastname@example.org>
> > Sent: Sunday, November 30, 2014 11:33 AM
> > To: eXtended Mind, Culture Activity
> > Subject: [Xmca-l] How *basic* are images?
> > David K
> > I mentioned Chris Hackett, and I recently referenced Peirce. My reason
> > exploring these authors is I have been following a path pursuing a basic
> > question.
> > Are basic guiding images at the root of all thinking?
> > Chris Hackett's answer is: "thinking never EXCEEDS the basic guiding
> > upon which thinking rests"
> > The recent dialogue between Andy and Martin exploring appearances and
> > illusions was also exploring this theme.
> > Hackett is outlining what he understands as a new phenomenological path
> > that places guiding images at the root of thinking. He names this process
> > *metaphoricity*.
> > Hackett believes metaphoricity names the irreducible image-character of
> > *spontaneous event* of meaning.
> > He goes on to suggest that the "intending subject" - which he brackets -
> > finds itself implicated in this guiding image.
> > AND
> > it is *in* this guiding image that the *intending subject* finds the
> > meaning of its very self.
> > Exploring the notion of "first things* Hackett proposes this
> > image-character IS a new *objectivity* that only the notion of metaphor
> > invoke. In other words the notion of *seeing as* is implicated in
> > *objectivity*
> > This new objectivity for Hackett is the root of thinking.
> > Reason at the point of becoming conscious and in command of itself *in*
> > mode [path] of the concept
> > occurs AFTER the *constitution* of meaning through guiding images has
> > established.
> > In other words meaning through guiding images mediates the path of
> > conscious verbal thought in command of itself which is derived from the
> > image-character of the guiding image.
> > I hesitate to open this thread because of how controversial this topic
> > become [again]
> > However I will take the risk as I continue to be held by this basic
> > question. I want to repeat that Hackett is exploring these images as
> > occurring as *events* and in his speculations the images emerge
> > spontaneously prior to intentional consciousness.
> > This is not the phenomenology of Husserl [which is transcendental] and is
> > not the phenomenology of Heidegger [which is hermeneutical]. It seems to
> > have an affinity with Peirce and speculative musings.
> > I also realize this question may already be answered in Vygotsky's
> > and may be pulling us away from the historical concerns of XMCA. I
> > personally am following this path for now.
> > Larry
It is the dilemma of psychology to deal with a natural science as an object
that creates history. Ernst Boesch.