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Re: [xmca] Re: Play and the Owl of Minerva



I want to apologize for my email's so often being sent as text attachments.
I write a response to a post and sometimes it goes through as a thread and others get sent as a text attachment. I guess I'll have to look into this quirk
Larry

----- Original Message -----
From: Wagner Luiz Schmit <mcfion@gmail.com>
Date: Saturday, March 20, 2010 6:49 pm
Subject: Re: [xmca] Re: Play and the Owl of Minerva
To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>

> Hi Larry,
> 
> After reading this i really need to improve my readings... But 
> what you
> point out is one of the reasons why i choose the Role-playing games
> (like Dungeons and Dragons, Mage the Ascension and etc etc etc) as
> object of research... Right now i don't now if i will study the 
> symbolsin those games and the re-elaboration of myths and 
> "reality" in those
> games or i study how is the process of the development of the higher
> mental functions in those games... I see them like a lab to 
> study how
> these functions are developing today with all this hypertext 
> culture and
> etc etc etc... Those games are interesting because they deal 
> with the
> fantastic, but you have numerical rules to describe magic and
> fantastical beings, or fictional situations: what some 
> researchers here
> in Brazil will point out as a disenchantment of the world... One
> interesting thing about those games: People really enjoy it only after
> the age of 10 more or less... And many still play in adulthood (myself
> included)... In Europe some people claim that a variation of
> Role-playing games, the Live Action Role-playing games, is a 
> kind of
> art  
> 
> I don't know if i'm making myself clear (i always few dumber 
> writing in
> another language)...
> 
> One of Vygotsky's texts that i most like is the "Imaginação e 
> Criação na
> Infância" or "La imaginacion y el arte en la infancia" (I don't 
> now the
> title in english, but in the portuguese version it is pointed 
> that it
> was translated from the "Voobrajenie e tvortchestvo v detskom 
> vozraste"from the book "Psikhologuia razvitia rebionka" Moscou: 
> Eksmo, 2004 pg
> 235-326). In one moment he points out 
> 
> "Na verdade, a imaginação, base de toda atividade criadora,
> manifesta-se, sem dúvida, em todos os campos da vida cultural, 
> tornandotambém possível a criação artística, a científica e a 
> técnica. Nesse
> sentido, necessariamente, tudo o que nos cerca e foi feito pela 
> mão do
> homem, todo o mundo da cultura, diferentemente do mundo da natureza,
> tudo isso é produto da imaginação e da criação humana que nela se
> baseia" (VIGOTSKI, 2009, pg. 14) 
> 
> Indeed, the imagination, the basis of all creative activity, is
> manifested, nevertheless, in all fields of cultural life, also making
> possible to artistic , scientific and technical creation. In 
> this sense,
> necessarily, everything around us made by the hand of man, the whole
> world of culture, unlike the world of nature, all this is the 
> product of
> imagination and the human creation that relies upon. (my translation,
> sorry for any mistakes. pg 9 in the spanish text from the 
> Hispanicas, i
> don't have the english version)
> 
> 
> Wagner
> 
>  
> 
> Em Sáb, 2010-03-20 às 08:20 -0700, Larry Purss escreveu:
> > Luiz
> > That was an interesting thread you sent on play and games and 
> the tension between the concepts.
> > It is a fascinating topic.
> > I want to bring into the conversation a fascinating 
> perspective on the place of the fictional and imaginary in play 
> (and other activity).
> > First for some context.
> > I've always been curious about the antinomy often reflected in 
> the tension between imagination/reality and the literature on 
> modernity as the disenchantment of the world and the reaction to 
> this privleging the as-IS reality over the as-IF reality.  
> There is a counter literature on finding ways to re-enchant the world.
> > Often science is seen as the villan who is responsible for the 
> loss of the as-IF reality, as children move beyond playful 
> imagination into the real world.
> > Piaget's notions of animism as indicating immature thinking.
> > INGRID E. JOSEPHS takes a radically different perspective on 
> the tension between the imaginary as-IF constructions and the 
> figure-ground type relation to as-IS reality.
> > She wrote an article in HUMAN DEVELOPMENT 1198, Volume 41, 
> pages 180-195  which explains very clearly this alternative 
> interpretation of the as-IS and as-IF dialectic and how it 
> infuses meaning with e-motion and explains the process of 
> Vygotsky's internalization and Mead's I-ME dialectic.
> > Following is a quick summary of Ingrid's perspective on the 
> imaginary in our devlopment.
> >  
> > Symbol formation implies a TRANSCENDENCE of the here-and-now 
> as-IS world by construction of the imaginary as-IF world. 
> Ingrid's standpoint is an extension of Hans Vaihinger's [1911-
> 1986] "philosophy of the "AS-IF" as his notion of FICTIONALISM 
> as an independent version of PRAGMATISM. (as an aside Alfred 
> Adler said this book transformed his life).
> > Vaihinger believed as-If thinking was foundational for 
> scientific reasoning.
> > Ingrid makes a further distinction between static 
> nondevelopmental and dynamic/developmental accounts of as-
> IF.  "BEING as-if" is static, whereas "BEING-AS-IF-COULD-
> BE" is dynamic. She points out this is similar to Bretherton's 
> distinction of AS-IF and WHAT-IF. In dynamic notions, the as-IF 
> is a step in the process of forward oriented preadaptation to 
> the next MOMENTARY context. Development is based on as-IF types 
> of apperception as each person participates in their own 
> development. Rather than being MORE adaptive or BETTER Ingrid's 
> position is that developmental transformations cannot be 
> prejudged before the act. Whether it is better or worse is an 
> evaluative question.
> > In summary imagination always begins in the known world of 
> present and past and then one's horizon of understanding is 
> stretched into the realm of the as-IF.. Ingrid points out this 
> notion of as-IF is close to Cole's [1992, 1995] notions of 
> personal duration. Ingrid states, "In imagination, not only do 
> present, past, and future become MUTUALLY RELATED (and 
> constructed), but both the person and world are transformed." p.184
> > Now to the more specific topic of SYMBOLIC PLAY that is being 
> explored on this thread. Piaget understood play as pure 
> assimilation that is necessary until developmentally the child 
> can transcend this immature level of reality and with 
> development SUBORDINATE the as-IF reality by the rational 
> logical, and DECENTERED modes of entering reality.  The as-
> If is not ascribed any PRODUCTIVE future oriented function in 
> development. In contrast the position Ingrid (and Cole, 
> Vygotsky, Mead,) are elaborating is that the AS-IF-COULD-BE 
> operates throughout the lifespan.
> > [Note] I'm emailing this section because my software sometimes 
> crashes> Larry
> > ----- Original Message -----
> > From: Wagner Luiz Schmit <mcfion@gmail.com>
> > Date: Thursday, March 18, 2010 8:11 pm
> > Subject: Re: [xmca] Re: Play and the Owl of Minerva
> > To: "eXtended Mind, Culture, Activity" <xmca@weber.ucsd.edu>
> > 
> > > I even didn't had time to read all e-mails (lots and lots of 
> > > work to
> > > do), but games and development is exactly what i want to 
> study 
> > > in my
> > > doctorship.
> > > 
> > > Do you heard about narratology David? this was used to study 
> and 
> > > analisegames for a while, and them other thing called 
> ludology 
> > > emerged...
> > > Take a look at this article:
> > > 
> > > LUDOLOGY MEETS NARRATOLOGY:
> > > Similitude and differences between (video)games and narrative.
> > > 
> > > http://www.ludology.org/articles/ludology.htm
> > > 
> > > this is my two cents contribution to the discussion... and 
> i'm 
> > > very very
> > > interested too in this rational/irrational discussion too... 
> but 
> > > i don't
> > > have much to contribute now... Only that William James 
> already was
> > > debating this =P (being a teacher of history of Psychology 
> is very
> > > usefull)
> > > 
> > > Wagner Luiz Schmit
> > > INESUL - Brazil
> > > 
> > > Em Ter, 2010-03-16 às 18:13 -0700, David Kellogg escreveu:
> > > > Sorry, everybody!
> > > >  
> > > > I wrote:
> > > > 
> > > > >  One of my grads tried to find the point at which a 
> > > story definitively passes over into a game, and I said it 
> was a 
> > > little like trying to find the point where talk definitively 
> > > passes over into talk. It is there, but we always find texts 
> in 
> > > talk, and talk in texts, no matter which side of the divide 
> we 
> > > may find ourselves on. 
> > > >  
> > > > I meant to write "it's a little like trying to find the 
> point 
> > > where talk passes over into TEXT". Halliday remarks 
> somewhere 
> > > that scientific linguistics didn't really start until the 
> > > invention of the tape recorder. 
> > > >  
> > > > I was always puzzled by that remark until I realized that 
> > > until the invention of the tape recorder, TEXT was 
> synonymous 
> > > with writing and TALK was synonymous with speech, and only 
> > > people like Bakhtin and Vygotsky knew that there was a much 
> > > deeper, underlying difference having to do with pastness and 
> > > presentness, finalizeability and unfinalizedness. 
> > > >  
> > > > (When we look at Piaget's work on conservation it is quite 
> a 
> > > while before we realize how dependent on VISUALS it is. For 
> the 
> > > child, sound is not conserved at all, and of course neither 
> is 
> > > time. It is only with the discovery of language that the 
> child 
> > > can imagine the conservation of sound at all.)
> > > >  
> > > > I think that the distinction between text and discourse is 
> > > really the fast moving line between stories and games that 
> we 
> > > want: the story is past and the game is present, the story 
> is 
> > > finalizedness and the game is unfinalized and inherently 
> > > unpredictable. So the story is a text, and the game is an 
> > > ongoing discourse.
> > > >  
> > > > I think, Andy, that in a game the problem is not autnomy 
> per 
> > > se. It's autonomy for a purpose, and purposes are almost by 
> > > definition not only beyond the self but even beyond the 
> present 
> > > moment (and this is why Mike is so right to point out that 
> EVERY 
> > > act of culture or even private imagination has an implicit 
> > > notion of "the good life" in it). 
> > > >  
> > > > Similarly, I don't think Vygotsky ever prizes volition for 
> its 
> > > own sake; it's always the freedom to produce and to create 
> and 
> > > to imagine "the good life" and to master the irrational 
> forces 
> > > which deprive life of that meaning, including those found 
> within 
> > > the self. It is in that sense that, yes, life is a game: it 
> is 
> > > meaningful through and through and to the very end. Not, I 
> > > think, what the existentialists had in mind!
> > > >  
> > > > David Kellogg
> > > > Seoul National University of Education
> > > >  
> > > >  
> > > >  
> > > >  Wittgenstein claimed that there is no overt over-
> arching 
> > > and external trait between games (e.g. a common functional 
> > > "motive" or a "goal"). When we read Vygotsky's play 
> lectures, we 
> > > find TWO common points: viz. gratuitous difficulty and guile-
> > > less deceit, the abstract rule and the imaginary situation.
> > > > >  But one is always hidden when the other is abroad. 
> > > After all, Wittgenstein's argument was only that there is no 
> > > CLEARLY VISIBLE over-arching trait. And Vygotsky's reply is 
> that 
> > > if the essence of things were visible on the surface, as 
> overt 
> > > motive, or aim, or goal, why then no scientific explanation 
> > > would ever be required for anything. His explanation of play 
> is 
> > > not an empiricist-functionalist but a historical, 
> genetically, 
> > > deterministic one, and the owl of Minerva flies only at nightfall.
> > > > >  David Kellogg
> > > > > Seoul National University of Education   
> > > > > 
> > > > > --- On *Mon, 3/15/10, Andy Blunden 
> /<ablunden@mira.net>/* 
> > > wrote:> > 
> > > > > 
> > > > >     From: Andy Blunden 
> <ablunden@mira.net>> > > >     Subject: 
> Re: [xmca] Dialects of 
> > > Development- Sameroff
> > > > >     To: "eXtended Mind, Culture, 
> > > Activity" <xmca@weber.ucsd.edu>
> > > > >     Date: Monday, March 15, 2010, 
> 5:33 PM
> > > > > 
> > > > >     Way out of my depth in 
> discussing 
> > > play, but here is my take
> > > > >     on "what is the motivation for play?"
> > > > > 
> > > > >     I don't think we can or want to 
> > > ascribe a motivation for
> > > > >     participating in play *in 
> general*. 
> > > I.e., the question of
> > > > >     "why does a child play?" cannot 
> > > sensibly be answered by the
> > > > >     child. But this still leaves the 
> > > question of the motivation
> > > > >     for any particular play 
> activity: 
> > > what is it that is
> > > > >     motivating a child when they play?
> > > > > 
> > > > >     It seems to me that every action 
> a 
> > > child takes can be
> > > > >     explicable in terms of its being 
> > > part of a project, and the
> > > > >     "Why are you doing that?" 
> question 
> > > gets the same kind of
> > > > >     answer as it would for an adult 
> at work.
> > > > > 
> > > > >     A different kind of explanation 
> is 
> > > required for why a child
> > > > >     is drawn to participate in what 
> is 
> > > after all an "imaginary"
> > > > >     project, then gun does not fire 
> > > bullets, the money is not
> > > > >     coin of the realm, etc. I think 
> in 
> > > answering the question at
> > > > >     that level we look at problems 
> the 
> > > child faces in being
> > > > >     exlcuded from the real world and 
> > > their attempts to overcome
> > > > >     that. I don't know. But from the 
> > > beginning a child it trying
> > > > >     to extricate themselves from the 
> > > trap of childishness.
> > > > > 
> > > > >     Andy
> > > > > 
> > > > >     mike cole wrote:
> > > > >      > Your helixes/helices 
> seemed 
> > > appropriate to the discussion, Martin.
> > > > >      > XXX-history is cultural-
> > > historical genesis. And, as Steve suggested,
> > > > >      > the twisted rope of many 
> > > strands may be at the end of the rainbow of
> > > > >      > promises.
> > > > >      >
> > > > >      > I have been pondering 
> David 
> > > Ke's question about the
> > > > >      > 
> object/objective/motivation 
> > > for play. It came together in my
> > > > >     thinking with
> > > > >      > Yrjo's metaphor of being 
> > > always "just over the horizon" and its dual
> > > > >      > material and ideal 
> nature, 
> > > most recently mentioned by
> > > > >     Wolf-Michael. Might it
> > > > >      > be the dream of being 
> > > coordinated with a world entirely
> > > > >     consistent with
> > > > >      > one's own dreams? A 
> world, 
> > > extending, as Leslie White put it,
> > > > >     that extends
> > > > >      > from infinity to 
> infinity, 
> > > in both directions?
> > > > >      >
> > > > >      > probably not, just wondering.
> > > > >      > mike
> > > > >      >
> > > > >      >
> > > > >      > On Mon, Mar 15, 2010 at 
> 2:55 
> > > PM, Martin Packer <packer@duq.edu
> > > > >     
> > > 
> <http://us.mc1103.mail.yahoo.com/mc/compose?to=packer@duq.edu>> wrote:
> > > > >      >
> > > > >      >> Larry,
> > > > >      >>
> > > > >      >> I didn't mean to 
> detract 
> > > from the discussion with my playful
> > > > >     helices. I
> > > > >      >> haven't found time yet 
> to 
> > > read Sameroff's article, so I don't
> > > > >     know if he is
> > > > >      >> proposing that there is 
> an 
> > > antimony between nature and nurture
> > > > >     in human
> > > > >      >> development, or in our 
> > > *conceptions* of development. I took Mike
> > > > >     to be
> > > > >      >> suggesting, in his 
> recent 
> > > message, that when we pay attention to
> > > > >     culture we
> > > > >      >> can transcend that 
> > > antimony, since culture is a 'second nature' that
> > > > >      >> provides nurture, and 
> since 
> > > culture is the medium in which human
> > > > >     brains and
> > > > >      >> bodies grow, and since 
> all 
> > > nurture offered to the growing child
> > > > >     is mediated
> > > > >      >> by culture, and since 
> > > culture has been transforming human nature
> > > > >     throughout
> > > > >      >> anthropogenesis through 
> its 
> > > selective evolutionary pressures.
> > > > >      >>
> > > > >      >> Eric, yes, I should 
> have 
> > > added phylogenesis, not just biological
> > > > >     evolution.
> > > > >      >> What then is the "XX-
> > > genesis" term for history?
> > > > >      >>
> > > > >      >> Martin
> > > > >      >>
> > > > >      >> On Mar 14, 2010, at 
> 9:55 
> > > PM, Larry Purss wrote:
> > > > >      >>
> > > > >      >>> It seems the double or 
> > > triple helix is a significant way of
> > > > >     trying to
> > > > >      >> configure dynamic 
> > > processes.  However, what the particular
> > > > >     specific double
> > > > >      >> helix referred to in 
> the 
> > > article is pointing to is a very
> > > > >     specific tension
> > > > >      >> BETWEEN two specific 
> > > constructs "Nature" and "nurture".  The
> > > > >     current debates
> > > > >      >> raging about 
> neuroscience 
> > > on the one side and the tension with
> > > > >     relational
> > > > >      >> notions of development 
> on 
> > > the other hand (ie the
> > > > >      >> self-other-
> > > object/representation triangle) suggest a dialectical
> > > > >     tension
> > > > >      >> which the article says 
> may 
> > > be INHERENT to development.  To me
> > > > >     this is asking
> > > > >      >> a question about how 
> the 
> > > mind constructs significant social
> > > > >     representations.
> > > > >      >>  What is specific 
> > > about this particular double helix is the
> > > > >     HISTORICAL
> > > > >      >> salience of this 
> SPECIFIC 
> > > ANTIMONY through centuries of dialogue
> > > > >     and theory.
> > > > >      >> My question is "Is 
> there 
> > > significance to the extended duration
> > > > >     of this
> > > > >      >> specific antimony 
> through 
> > > centuries. Does this historical
> > > > >     engagement with
> > > > >      >> the specific notions of 
> > > nature and nurture have relevance for CHAT
> > > > >      >> discussions.  This 
> is 
> > > not to say other double or triple helix
> > > > >     models may not
> > > > >      >> have more explanatory 
> power 
> > > but that is not the specific
> > > > >     question asked in
> > > > >      >> the article. The 
> question 
> > > being asked specifically is if this
> > > > >     specific
> > > > >      >> nature/nurture antinomy 
> is 
> > > inherent to the notion of
> > > > >     development? Other
> > > > >      >> double or triple 
> helix's 
> > > could be conceptualized within the
> > > > >     nature/nurture
> > > > >      >> antinomy but the 
> question I 
> > > believe is being asked is how relevant a
> > > > >      >> dialectical (or 
> > > alternatively dialogically) nature/nurture
> > > > >     antinomy is to
> > > > >      >> our primary 
> (ontological??) 
> > > notions of Development as a social
> > > > >      >> representation.
> > > > >      >>> When I read the 
> article, 
> > > it seemed to capture the tension we are
> > > > >      >> exploring about the 
> place 
> > > of neuroscience in our theories of
> > > > >     development.
> > > > >      >> For some scholars one 
> side 
> > > or the other side is in ascendence and
> > > > >      >> historically one side 
> or 
> > > the other is in ascendence. What the
> > > > >     article is
> > > > >      >> asking is if we must 
> > > "INTEGRATE" what is often seen as in
> > > > >     opposition and
> > > > >      >> realize nature/nurture 
> is 
> > > in a figure/ground type of relational
> > > > >     pattern
> > > > >      >> (like the ying/yang 
> visual 
> > > representation) and the movement
> > > > >     BETWEEN the two
> > > > >      >> positions is basic to 
> > > development.> >      >>> Do others 
> have 
> > > thoughts on the specific question Arnie has
> > > > >     asked in his
> > > > >      >> article about the 
> > > historical dynamic of the nature/nurture
> > > > >     antinomy in
> > > > >      >> developmental theories 
> as 
> > > well as in ontological and cultural
> > > > >     historical
> > > > >      >> development. This 
> question 
> > > speaks to me about the possible
> > > > >     relevance of
> > > > >      >> Moscovici's theory of 
> > > social representations.
> > > > >      >>> One alternative answer 
> is 
> > > to generate other double or triple
> > > > >     helix models
> > > > >      >> which may become social 
> > > representations over time as they are
> > > > >     debated in a
> > > > >      >> community of inquiry 
> but 
> > > the article as written is pointing to a
> > > > >     very
> > > > >      >> salient social 
> > > representation within our Western tradition. Does
> > > > >     that
> > > > >      >> recognition of its 
> > > historical roots change how we view this
> > > > >     particular
> > > > >      >> antinomy?
> > > > >      >>> Larry
> > > > >      >>>
> > > > >      >>> ----- Original Message 
> ----
> > > -
> > > > >      >>> From: Martin Packer 
> > > <packer@duq.edu> >     
> > > 
> <http://us.mc1103.mail.yahoo.com/mc/compose?to=packer@duq.edu>>> >      >>> Date: Sunday, March 14, 2010 4:59 pm
> > > > >      >>> Subject: Re: [xmca] 
> > > Dialects of Development- Sameroff
> > > > >      >>> To: "eXtended Mind, 
> > > Culture, Activity" <xmca@weber.ucsd.edu
> > > > >     
> > > 
> <http://us.mc1103.mail.yahoo.com/mc/compose?to=xmca@weber.ucsd.edu>>> >      >>>
> > > > >      >>>> That's right, Steve, 
> > > though I'm pretty sure I didn't see this
> > > > >      >>>> title until after I 
> made 
> > > the diagram. And of course Lewontin is
> > > > >      >>>> referring to 
> different 
> > > factors. And, also, of course, collagen
> > > > >      >>>> actually does have a 
> > > triple-helix structure, which Francis Crick
> > > > >      >>>> thought was more 
> > > interesting than the double helix of DNA, but
> > > > >      >>>> which got very little 
> > > attention.> >      >>>>
> > > > >      >>>> Martin
> > > > >      >>>>
> > > > >      >>>>
> > > > >      >>>> On Mar 14, 2010, at 
> 7:53 
> > > PM, Steve Gabosch wrote:
> > > > >      >>>>
> > > > >      >>>>> On the triple helix 
> > > metaphor:  Richard Lewontin used it
> > > > >      >>>> in the title of his 
> > > 1998/2000 collection of essays _The Triple
> > > > >      >>>> Helix: Gene, Organism 
> and 
> > > Environment_.  His core theme
> > > > >      >>>> regarding biological 
> > > development is that solely considering the
> > > > >      >>>> interaction between 
> gene 
> > > and organism makes for bad
> > > > >      >>>> biology.   
> The 
> > > environment has decisive influence as well.
> > > > >      >>>>> - Steve
> > > > >      >>>>>
> > > > >      >>>>>
> > > > >      >>>>> On Mar 14, 2010, at 
> > > 10:20 AM, Martin Packer wrote:
> > > > >      >>>>>
> > > > >      >>>>>> On Mar 14, 2010, at 
> > > 1:04 PM, Larry Purss wrote:
> > > > >      >>>>>>
> > > > >      >>>>>>> What do others 
> think 
> > > of the double helix (and/or the other
> > > > >      >>>> visual images in the 
> > > article). How central is the double helix
> > > > >      >>>> (either as an "is 
> Like" 
> > > or "IS" objectification) to your notions
> > > > >      >>>> of the human sciences?
> > > > >      >>>>>>> Larry
> > > > >      >>>>>>>
> > > > >      >>>>>> ...and I am pretty 
> sure 
> > > I stole, I mean appropriated, this
> > > > >      >>>> from someone; I've 
> > > forgotten who...
> > > > >      >>>>>> <PastedGraphic-2.pdf>
> > > > >      >>>>>> 
> > > _______________________________________________> 
> > > >      >>>>>> xmca mailing list
> > > > >      >>>>>> xmca@weber.ucsd.edu
> > > > >     
> > > 
> <http://us.mc1103.mail.yahoo.com/mc/compose?to=xmca@weber.ucsd.edu>> >      >>>>>> http://dss.ucsd.edu/mailman/listinfo/xmca
> > > > >      >>>>> 
> > > _______________________________________________> 
> > > >      >>>>> xmca mailing list
> > > > >      >>>>> xmca@weber.ucsd.edu
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> > > > >     --     ------
> ----
> > > -------------------------------------------------------------
> -
> > > > >     Andy Blunden 
> http://www.erythrospress.com/> > > >     
> Classics in Activity Theory: Hegel, 
> > > Leontyev, Meshcheryakov,
> > > > >     Ilyenkov $20 ea
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> > > > > 
> > > > > 
> > > > 
> > > > -- --------------------------------------------------------
> ----
> > > ------------
> > > > Andy Blunden http://www.erythrospress.com/
> > > > Classics in Activity Theory: Hegel, Leontyev, 
> Meshcheryakov, 
> > > Ilyenkov $20 ea
> > > > 
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