[Xmca-l] Re: Inner thought in theater pieces

Ulvi İçil ulvi.icil@gmail.com
Wed Jul 12 07:50:19 PDT 2017


Thank you Peter.

Ulvi

12 Tem 2017 17:38 tarihinde "Peter Feigenbaum [Staff]" <
pfeigenbaum@fordham.edu> yazdı:

> Ulvi,
>
> Your questions about the science of inner speech monologue and its use in
> the analysis of theatrical material - to convey the internal richness of
> ​the ​
> emotion
>> and thought
> ​​
> ​of
>  characters
> ​ - are tangentially addressed by Charles Fernyhough
> in his recent book The Voices Within. Charles is a colleague who works with
> Vygotsky's
> theory of private and inner speech development, but who specializes in
> the dialogicality of inner speech and its role in people who hear voices -
> both normal
> and hallucinatory. While he doesn't directly address the issue of
> theatrical characters,
> he does provide insights - based on evidence and research - into the
> creative
> writing process of novelists, and the various roles that inner voices play
> in their
> work and thought.
>
> I highly recommend this book because of the admirable way in which
> Fernyhough
> manages to navigate highly complicated issues concerning a phenomenon that
> is largely elusive - even though it constitutes the highest stage in the
> development
> of verbal thinking. As a less courageous researcher, I chose to study
> private speech
> because the data are empirical and tangible, subject to linguistic and
> sociolinguistic
> analysis.
>
> https://www.amazon.com/Voices-Within-History-Science-
> Ourselves/dp/0465096808
>
> Peter
>
>
>
> On Tue, Jul 11, 2017 at 2:36 PM, Ulvi İçil <ulvi.icil@gmail.com> wrote:
>
> > Nazim Hikmet uses widely inner  thought and momologue in a work to convey
> > the internal richness of emotion and thought of his characters.
> Especially
> > inner thought.
> >
> > The name of the work is Ferhad and Sirin, and another name is Legend of
> > love.
> >
> > Anyone can see the very interesting content of the work, characters in a
> > struggle in a triangle of love.
> >
> >
> > It is a quite successful work, played by Bolshoi.
> >
> > My questions are:
> >
> > Does the science of psychology make wide use of such theater work? i.e.
> in
> > terms of the inner thought.
> >
> > Does the science of pscyhology make use of such theater work in terms of
> > human development? i.e. in terms of the "defects" human beings possess.
> >
> > Ulvi
> >
>
>
>
> --
> Peter Feigenbaum, Ph.D.
> Director,
> Office of Institutional Research
> <https://www.fordham.edu/info/24303/institutional_research>
> Fordham University
> Thebaud Hall-202
> Bronx, NY 10458
>
> Phone: (718) 817-2243
> Fax: (718) 817-3817
> email: pfeigenbaum@fordham.edu
>


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